CERESUltra

Music Nerd, Author, Yote!

  • She/they/it

30s/white/tired/coyote/&
Words are my favorite stim toy


Scampir
@Scampir

people talk a lot about what Mech fiction can emphasize but I want to shout it out into the tags that Mech fiction can also be about romanticizing and confronting the experience of being a tradesperson. I feel like it gets a little complicated by the implicit fact that so much of Mecha media is concerned with war, but the lives of people who labour on complicated machinery, who are instrumental in constructing any kind of titanic mechanism, are interesting. They give each other advice. They fuck around with one another and might even screw each other over. They’re melodramatic, they’re tough, they’re vulnerable, they’re icing each other out or they’re bringing someone in. It can be good or it can be bad, and every job is different.

I am not a tradesperson. I have only worked with them, mostly doing fire suppression (spark watch) for millwrights and welders. Even though I only did it for 3 years, their stories and attitudes have stayed with me because it still feels so unique.


CERESUltra
@CERESUltra

I also think about this a lot, and it's part of why I'm working on some stories that feature mechs used in a non-combat capacity. Mechs for racing, for salvage, for search and rescue. Focusing on pilots who aren't the "ace hotshot, best in the galaxy" types. Trying to include mechanics, and squads, and buddies. Think about mass production models, and what's that one problem they all have that every mechanic between here and the next galaxy bodges the exact same way.

while I also want to write fiction that bends reality until it snaps, and mechs are a fun vehicle to do it in, sometimes it's just nice to think about what day-to-day life is like.


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in reply to @CERESUltra's post:

fundamentally what seems to distinguish mecha fiction is the relationship between man and machine and especially the scale differential therein. i love the idea of racing mechs, of traffic mechs (see our Patlabor 2 episode), of medical mechs, of art and design and architecture mechs. these are all creative or humanitarian subcultures that can tie themselves or be tied to war (i think of the egotistical surgeon trope, the jock of the medical world and how it's often tied to wartime field doctoring), but they aren't vehicles of such, which makes them fascinating from a humanitarian angle. the political pitfalls of construction teams, their assemblages, their labor conditions and culture, aren't so completely siloed from the machinations of war, but they are complex and different and i often feel that they pose vague and unexplored territory in the genre space in the best possible way.

Yeah and I think that physical machinery, not just software, still has this scary relationship with the people who use it. In Capital Marx talks about how it necessarily displaces workers for the profit ratio, but it goes way beyond that, with studies of Taylorism, Amazon Warehouses, and other examples of how technology reconfigures what the labour is and what purpose does that serve for the person who introduces that to the workplace.