Cania

KAY-nee-ah

  • they/them

My Website
www.cania.zone/
My public discord server
discord.com/invite/bKrtWUN3mp

wasnotwhynot
@wasnotwhynot

the mark of teh bad game is all libidinal, it’s something just like “I’m not putting up with this,” because it appears to insult your intelligence/time/capacity/kindness—insert your favored measure of existence that will now be gamified in order to express the libidinal decline, the sudden realization that artwork isn’t pleasuring you, and every moment outside of the pleasure zone is obviously an inefficient way to spend your time. this isn’t typically seen as a cursepact, although it requires surrendering aspects of yourself into very gamified, meritocratic structures, a capitalism-charged dystopian possibility of being able to consume your way into mental structures that are kinder, better, and smarter.


wasnotwhynot
@wasnotwhynot

as a past champion of maligned videogames, being today instead maybe a goblin or a troglodyte who keeps to their own forbidden ways, I have gleefully noticed (and, I suppose, I have both precipitated and participated in) a change and revaluation of the desirable or even acceptable boundaries of what collection of texts, textures, objects, connections, etc, constitutes a legitimate videogame, rather than a cruel joke or a funny point of trivia. this makes me happy. yet I also feel like tuxedo mask, overconfident in my labors of already being here, struggling to communicate what here is… みな、さらばだ…


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in reply to @wasnotwhynot's post:

we all do this! I end up doing it unconsciously, or even consciously so I don’t alienate people lol. it’s the air we breathe, so to speak, it’s the way of doing things we inherited. awareness of it can give it less power over and lets u begin to imagine other ways of relating to things

I started formenting similar thoughts after watching a video titled Super Mario Cube Fetish (which I would link if it hadn't got taken down). There's a demand for art not only to be productive - of meaning, of affect, of what have you - but for it to be productive according to the already prevailing standards. Hence the work that evokes the most visceral feelings of offense tend to be either those works that challenge those standards, or worse, flout them entirely in a kind of self-indulgent performance. Throw in a little "protecting the children" scare, and you've got the 2010s reactions against those cheapo YouTube children's shorts.

yeah totally… lol, the most despised classes are the lumpen and other “leeches,” I think attitudes toward art mirror this whether consciously or unconsciously. stuff that’s outwardly mentally ill or otherwise non-productive, non-logical, non-rational, etc, gets exotified and othered in some cases, but more recently in market exegesis it’ll get scapegoated… and either anti-myth glosses over the specific or personal reasons motivating a maker to deviate from those prevailing standards