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Clown who draws and sometimes publishes games.
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R-L-Z
@R-L-Z

Today I wanted to show works that result from my participation to fine arts workshops organized by the municipality.
My main motivation subscribing to them was having more space and dedicated time to paint (I live in a rather cluttered appartment and both my parents needed my attention quite often).


Going there I immediately started covering relatively big pieces of paper with unevenly mixed acrylic paints. I was and still am fascinated by the way these paints mix and most often would rather avoid evenly colored surfaces. Those were meant to be backgrounds but my teacher found that interesting on its own and encouraged me to concentrate on that, also suggesting to delimitate spaces with paper tape, an exemple being the first painting above.
It pushed me towards more abstract concepts and I rapidly got interested in ways I could represent space and depth using planes and "lines".
From this came the "forest" painting in the second position which is the biggest I've done yet as well as that series of decomposed landscapes, though I did these a bit later revisiting this idea.
The one with creatures on a surface was mostly an improvisation.


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in reply to @R-L-Z's post:

The one where the sky and earth recede is STRIKING. I particularly like how the columns/forest/whatever you like to call them tie the upper and lower together like a tree that grows out of the earth and out of heaven at the same time. The rider and his entourage are also very striking. This is great stuff.

I really like the bottom left one for some reason.

Gives me a "waking up to a new world" vibe. Like when you first awake from a long dream and it takes awhile for you to make sense of your surroundings.

(Also, you can have multiple images on a post? What?)

Wow these are great! I love the forest. Really captures the visual disorientation that happens when you try to focus on something in the middle of a wood. Great little figures too. Remind me a bit of the Picasso sketches of Don Quixote.