Gwen

Dumbass in a dumb land

  • She/Her

I was born in the late Holocene and I've seen some shit



dialacina
@dialacina
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axel
@axel

I don't talk much about my love (respect? appreciation?) for Lodoss--something I never really thought about until I read Dia's article last year. And then it clicked. I rarely talk about Lodoss like I rarely talk about Mystic Quest. For me, it was Lodoss before D&D, Tolkien, Le Guin, all of it. Mystic Quest before Final Fantasy, Shadowrun, Baldur's Gate, and so on. Not just temporally. I mean Lodoss and MQ led me to those worlds. Of course they're wildly different things, both in themselves and in relation to their context. And I wouldn't call MQ wildly influential in the way Lodoss was.

But they're riffs, adaptations, dilutions (whatever we want to call them) that, amid the genericness, have so much goddamn heart.

Anyway, read the piece above.


dialacina
@dialacina
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in reply to @dialacina's post:

Pouring one out for Lodoss War, Wicked City Shinjuku, and the three (!) copies of Vampire Hunter D that shared a shelf in my college Blockbuster.

And hell yes, it’s a tragedy that Wonder Labyrinth doesn’t use any of the original Lodoss music. Team Ladybug could have given Akino Arai an envelope full of cash for Adesso e Fortuna, even (especially?) if it was Arai’s acoustic cover: https://youtu.be/YBUoaFNwjtk