Letheka

Doer of too many things

  • she/her

Translator (Japanese→English) · Dolls, fanfic, programming, music, but mostly gacha games · 日本語でおk · Girlfriends with @oneesan · Header drawn by https://twitter.com/ne__gu


Discord
letheka
Misskey
letheka@misskey.assaultli.ly

posts from @Letheka tagged #Anime

also:

If you watched the first few episodes of Spy Classroom when they aired in January, you probably thought they were awful, and you were right. The show's attempt to adapt the first novel was among the worst I've seen in recent years. After the 3rd episode, it would have been an extremely reasonable decision to expect the anime to stay that terrible and stop watching it. The episodic character stories it started running through after that point weren't exactly riveting either.

But when it reached the second plot arc in Episode 8, the Spy Classroom anime got surprisingly decent. Then, in the second season, it became genuinely good.

Klaus and the Lamplight spy team, from Spy Classroom

So have a listen as I try to sell you on it. Really, it's an excuse for me to blog about something other than you-know-what for once.

The Premise

Spy Classroom takes place in a thinly veiled facsimile of 20th century Earth, after a long and gruesome world war caused nations to abandon open warfare and focus their military efforts on espionage. It's mainly set against a conflict between two countries, the small Din Republic and the larger and stronger Galgad Empire.

When the Din Republic attempts to steal a deadly biological weapon back from the Galgad Empire, it results in Bonfire—their most elite spy team—being wiped out except for a single survivor, a man named Klaus. But the mission still needs to be done, and Klaus is tasked with assembling a new spy team for the Din Republic, named Lamplight.

For reasons of his own, he decides to recruit several girls that were about to flunk out of their spy academies and train them to be capable of the mission that Bonfire couldn't finish. Here Klaus runs into a major setback: he discovers he's laughably bad at teaching. So he comes up with a new way to educate his students. He challenges them to defeat him, whether alone or together.

The content of the main novels gradually shifts from the girls' comical attempts to beat Klaus (they never succeed, and rarely even get close) to focusing entirely on their espionage missions. There are a few collections of short stories as well, and the anime adapted a bunch of those stories between plot arcs.

It's worth mentioning that despite the "one man and a bunch of girls" character setup, Spy Classroom avoids having harem vibes. Klaus is, in fact, explicitly revealed to be ace/aro later. One of the girls has a crush on him, but none of the others do.

Le Carré This Ain't

To enjoy Spy Classroom on any level, you need to be able to tolerate how over-the-top it is. Spies in its world are superheroes who are capable of impossible feats. In fact, each of the girls has a literal superpower, such as releasing poison clouds from her body, predicting the trajectory of thrown objects perfectly, disguising herself flawlessly as anyone and everyone, reading minds (under certain circumstances) and so forth. The most down-to-earth one is probably the girl who's just really good at training animals.

A few novels in, the girls are each able to hold their own against over ten opponents. Klaus, who is by far the most absurd character, is at one point said to have defeated over seventy trained spies trying to kill him at once. He also does things like work for five hundred days straight with minimal sleep.

The girls and even Klaus do meet their share of worthy opponents, but that's because those opponents have crazy powers too. So if you go in, be prepared for super-spy antics that would make James Bond shake his head at their absurdity and possibly even Batman squint in disbelief.

A Magnificent Experience

If you want to appreciate Spy Classroom to the fullest, I would recommend following these steps:

  1. Read at least the first novel. (The anime adapted novels 1-4, and I still had a good time during all of it, even knowing everything that would happen.)
  2. Decide which parts of the anime you want to watch. I highly advise skipping episodes 1-3, but you can watch them if you're morbidly curious: just keep in mind that things get better later. If you only want to watch the "plot" episodes, go with these:
  • Episodes 8-11 (novel 2)
  • Episodes 13-16 (novel 3)
  • Episodes 20-24 (novel 4) — episode 24 doesn't actually correspond to anything in novel 4, but adapts some previously skipped scenes from it as flashbacks, and is IMO quite a good episode in its own right
    That said, aside from the ones that adapted the first novel, I don't think any of the episodes are bad. They're just not as important.
  1. Enjoy, hopefully!

It's more work than watching the average anime. Somehow I seem to be attracted to things like that. But I was a fan of Spy Classroom before the anime happened, at least. And with luck, you'll become one too.



I have zero tolerance for bait apologism... It's always worthwhile to think about why a story is written the way it is, especially when there's money involved.

A comment on /r/shoujoai/

This post contains spoilers for the following anime series: Senki Zesshou Symphogear, The Aquatope on White Sand, Mobile Suit Gundam: The Witch from Mercury.

If you're a fan of yuri anime/manga, and probably LGBT media in general, it's hard to avoid discourse about queerbait—the all-too-common phenomenon of stories hinting that two characters of the same gender are romantically attracted to each other, but failing to ever confirm it beyond a doubt.

The quintessential example of queerbait in anime is the TV series Hibike! Euphonium, where the two female leads have a intense, passionate relationship throughout two seasons only for one of them to abruptly tell the other that she's in love with a man. While this example involves the queer relationship being replaced by a het one (something that was depressingly common up until the 21st century), in contemporary parlance, stories don't have to feature heterosexuality to be accused of being queerbait—they only need to contain an inadequate degree of homosexuality.

Whether a story is queerbait is wholly subjective, but at least when it comes to yuri, there are a lot of people with very high standards out there; perhaps best described as "if the ladies don't get to at least first base, they're out."



Images stolen from Dengeki's review.

The cast of the play

The cast:

  • Kawauchi Misato was a perfect Chisato, as we knew she would be, since her role as Nazuna in Assault Lily: Odaiba Girls' School is pretty similar to Chisato already. We were watching the play for her in the first place, and she didn't disappoint.
  • Motonishi Sakiho's Takina didn't get as many chances to shine due to the nature of the role, but she was also very good.
  • Tanoue Marina's Fuki was very reminiscent of her fantastic portrayal of Toda Eulalia Kotohi. She was still a secondary character, but she nailed Fuki and made all of her scenes memorable.
  • Kitamura Keigo's Mika could have been straight out of the anime. He was the best of the male roles. Takeuchi Rintaro's Robota was also pretty entertaining for a guy whose face you couldn't see.
  • Ishii Mikako's Mizuki was great during her comedy scenes.
  • Oobuchi Nonoka (Kurumi) is so short I thought she was a teenager, but she's in her twenties. She's also really good at sounding like a kid.
  • Nakata Hiroki's Majima fell flat for me. His vibes were more "wacky clown with a gun" than the original "entertainingly unhinged, but also scary."
The 'sakana' scene

The script:

Spoilers for the LycoReco anime

  • The play adapted episodes 1-4 almost unchanged from the anime, which took up over half of its runtime.
  • Following that, the play adapted the first part of episode 6 (where Takina moves in with Chisato,) then all of episode 7...
  • ...and then part of Majima's attack on Chisato in episode 6, which it used as a lead-in to the climax. Said climax was a battle against Majima loosely based on the episode 11-12 fight, and which included Takina ditching a mission with Fuki to go to Chisato's rescue.
  • Takina did find out that Chisato had an artificial heart, but nobody ever sabotaged it and the entire plot revolving around her heart was missing (aside from Yoshimatsu making comments about her wasted potential.)
  • The Enkuboku plot was also left out, aside from a few scenes with Takina being recalled to DA and then abandoning the mission she was sent on with Fuki.
  • Chisato and Takina had great chemistry and felt very much like they did in the anime. While the plot changes meant that their relationship didn't progress as far, I was satisfied by how the play treated them.
  • Mika and Yoshimatsu didn't fare as well, I think because the bulk of their development happened during flashback and very late plot scenes that were skipped. However, Chisato did make her comment at the bar about wanting to let them rekindle their love in peace, so it wasn't queer erasure or anything. The play also had the poignant scene where Mika tried to threaten Yoshimatsu to leave Chisato alone, but couldn't follow through.
  • There was a sequel hook of sorts at the end after the cast's curtain call, where they retreated behind a large elevator door that was at the rear of the stage, but someone tossed Chisato's bag on the stage and she ran forward to grab it, with the door closing behind her. It feels like there's a good chance we'll get a second play covering all the portions of the anime this one didn't adapt.
  • That said, I feel like the play could have fit in the entire plot if it had been more willing to skip scenes that weren't critical to the story—it adapted everything from certain episodes, right down to the paintball match at the DA and Chisato forcing Takina to shop for clothes. I'm a bit baffled by the decision.
Walnut 'driving' the 'car' as Chisato watches

The production:

  • Overall it was very good, with clever props during scenes like the episode 2 car chase (Kurumi actually stood up out of her suitcase after that, though I'm certain it had a false bottom attached to the car) and impressive use of video backdrops.
  • The stagehands dressed in all black got a chuckle out of me. What is this, kabuki?
  • After watching every Assault Lily play, it was a bit disappointing not to have the cast do their own vocals at the beginning and end; they just played the anime songs, including the recorded vocals.

Not the best stage play I've ever seen, but far from the worst either. It was a nice way to spend an evening. I'm looking forward to the sequel, if there is one!



"This is the story of those girls—they who blossom, ever so briefly, upon the battlefield."

If you know me at all, you know that I really love Assault Lily.

And unless I've convinced you to look into it before, chances are you've either never heard of that, or associate the name with a mediocre anime series that SHAFT produced in late 2020. (As much as I love the universe, the highest praise I can give the anime is that... it has its moments.) Maybe you've heard it was originally based on a line of dolls, too.

So if it's not because of the anime, what is Assault Lily, and why am I so into it? Brace yourself for 2000 words, and some pictures and videos, about just that.

(Content warning: brief discussions of incest, physical abuse and death.)