MobileSuitLilah

Quaint Witch, Sad Enchantress

  • she/her

Incredibly based gay trans woman poster 🏳️‍⚧️🏳️‍🌈 | Lover of books, music, and video games ✨| Happily married to @milktea ❤️ | Icon by @peachparfait

Praise for @MobileSuitLilah

“Lilah is maybe the internet’s greatest poster…a unique and very funny sense of humor…her jokes are specific and experimental while still being accessible to a mainstream audience”
The New York Review of Posts

“Men you may not like it but…[Lilah’s posts are] what peak performance looks like”
— Virginia Woolf, author of Orlando

“I’m a huge admirer of Lilah’s posts to the point that I left my wife…only then did I discover Lilah is gay and had also never heard of me”
— Jonathan Safran Foer, an author I guess

"Lilah's posts were a huge source of relief during the development of DonPachi...it's no exaggeration to say Cave wouldn't exist without her posts"
— Tsuneki Ikeda


The Curse of Frankenstein Review

In Mary Shelley’s Frankenstein, Victor’s original sin is not the creation of life but the casting off of his creation, an articulate, intelligent and compassionate being whose fundamental humanity he denies. In Hammer’s Curse of Frankenstein he is simply psychotic, descending into increasingly unhinged behavior in his obsessive desire to feed his ambition. This is a very lurid reconfiguration of the novel that’s far more interested in murder and cruelty than the philosophical underpinnings of the original story.

But that approach works, largely thanks to Peter Cushing. If he treats the Dracula movies like Shakespeare, here he leans into the pulpiness of the material, bringing exactly the right “refined and lovable sideburn-toting psychopath” energy while showing flashes of a deeper cruelty. It’s really his movie, and he turns it into a success


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