MobileSuitLilah

Quaint Witch, Sad Enchantress

  • she/her

Incredibly based gay trans woman poster šŸ³ļøā€āš§ļøšŸ³ļøā€šŸŒˆ | Lover of books, music, and video games ✨| Happily married to @milktea ā¤ļø | Icon by @peachparfait

Praise for @MobileSuitLilah

ā€œLilah is maybe the internet’s greatest poster…a unique and very funny sense of humor…her jokes are specific and experimental while still being accessible to a mainstream audienceā€
— The New York Review of Posts

ā€œMen you may not like it but…[Lilah’s posts are] what peak performance looks likeā€
— Virginia Woolf, author of Orlando

ā€œI’m a huge admirer of Lilah’s posts to the point that I left my wife…only then did I discover Lilah is gay and had also never heard of meā€
— Jonathan Safran Foer, an author I guess

"Lilah's posts were a huge source of relief during the development of DonPachi...it's no exaggeration to say Cave wouldn't exist without her posts"
— Tsuneki Ikeda


princess-icky
@princess-icky

I'm just adding one because I'm bad at chosting, but I will take any opportunity I can to talk about this track :]

Crosseyed and Painless feels almost explicitly trans to me, at least in terms of feeling relatable to my own experience. Losing my shape is a very apt way to describe navigating the process of building an identity that works for me again. Also, it's so fun to use the "facts are similar, facts are late" bridge as a vocal stim! It also just feels so true and right, facts ARE living turned inside out.


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