MobileSuitLilah

Quaint Witch, Sad Enchantress

  • she/her

Incredibly based gay trans woman poster šŸ³ļøā€āš§ļøšŸ³ļøā€šŸŒˆ | Lover of books, music, and video games ✨| Happily married to @milktea ā¤ļø | Icon by @peachparfait

Praise for @MobileSuitLilah

ā€œLilah is maybe the internet’s greatest poster…a unique and very funny sense of humor…her jokes are specific and experimental while still being accessible to a mainstream audienceā€
— The New York Review of Posts

ā€œMen you may not like it but…[Lilah’s posts are] what peak performance looks likeā€
— Virginia Woolf, author of Orlando

ā€œI’m a huge admirer of Lilah’s posts to the point that I left my wife…only then did I discover Lilah is gay and had also never heard of meā€
— Jonathan Safran Foer, an author I guess

"Lilah's posts were a huge source of relief during the development of DonPachi...it's no exaggeration to say Cave wouldn't exist without her posts"
— Tsuneki Ikeda

posts from @MobileSuitLilah tagged #it's not very easy for me to make this post but i've been frustrated all day and felt like i needed to

also:

The Orientalism thread and what's happened to Renko in response has been really discouraging to see, and has also crystallized and made me reflect on some of my own feelings as a mixed white/Korean trans woman.

I have my own complicated relationship with and feelings about Japanese otaku media. I've had to reckon with the uncritical weeaboo I was in my teens through my early 20s as I've matured and more fully grappled with my own racial/cultural identity. I've had to sort through my feelings in the wake of my family history, wherein my Grandma (who I love and miss dearly) had her cultural identity ripped from her by the japanese occupation, and a closer knowledge of the deep-seated national trauma of Korea and many other nations perpetrated at the hands of imperialist Japan. I've had to grapple with my discomfort with otaku culture, which is shot through with a misogyny that harms women in Japan and outside of it, and the fact that I was raised by asian women especially harmed by this kind of misogyny. And I've had to grapple with my discomfort about Japan's own culture of racism, and how this can rear its ugly head in anime/manga embraced by the white mainstream.

And it's frustrating and alienating to see so many white people, including white queer people and white trans women, have an obsessive and uncritical relationship with Japan and Otaku media, holding it up as empowering when I often view it as the opposite. It's frustrating to see progressive white people (American and not) with no investment in this not bring any kind of critical lens to their engagement. It's frustrating to see white people act as if Japan is a sort of fantasy land in a way that's unrealistic and fetishistic towards people in Japan and the surrounding region.

I'm not trying to call anybody out here or say "don't engage with Japanese media" (because yes, I do engage with and enjoy Japanese media myself). And I often just don't talk about this because I don't want to accidentally make anybody feel bad. But goddamn this feels bad sometimes


Ā