OkayWolf

mostly a strange space ghost

  • they/them

Queer genre writer, printmaker, and pianist | ๐Ÿ‘๐Ÿบ | white settler Muslim disabled


๐Ÿ›Ž๏ธ patreon
www.patreon.com/okaywolf
๐ŸŒ€ dreamwidth
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๐ŸŽจ tumblr
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๐Ÿ“ธ instagram
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๐Ÿฆ† twitter
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๐ŸŽฎ itch
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โ˜• ko-fi
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OkayWolf
@OkayWolf

Like, the chemical change of wood to charcoal; how helping someone just a little can mean so much to them; the speed and character of oil on water retracting from soap; how a collection of memories makes the day-to-day choices of a person; the beneficial role of wasps in an ecosystem; how it can all still hurt, even if you don't remember it.


OkayWolf
@OkayWolf

I once helped someone get dressed because they physically couldn't, and that moment changed me. I once had a friend help me out of a bad spot, and when I remembered it the other day I felt so strongly about it that I fucking sobbed on the spot. I once frequented the same neighbourhood produce store until not only did the staff recognize me but I sometimes was confident in recognizing them, and it was nice.

Whatever all that is. That's what I'm driving at.


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in reply to @hthrflwrs's post:

at least for now, the work is not just about imagining futures that center people and have compassion for them and are equitable, but recognizing the slippery, obfuscated, reality-bending present tooโ€”and trying to connect the dots between these things. i get there through queer, racial, and climate lenses most of the time. itโ€™s really hard and rancid and beautiful at times!

Honestly I think it's lonely people and misfits trying to find love. Visually it's a lot of big boobs, but the characters all have that loneliness in common I think. Struggling with feeling apart from everyone else. Hadn't really thought about it until now

Depression.

Also rejection of the status quo and asserting kindness over cruelty even if the characters involved are not the ones who should be handling the responsibility of the costs that inevitably come from it, because nobody is.

But mostly depression.

Intentionally, I put emphasis on stories where setting, place, space, the environment is as significant as character or plot. That was my thesis in my architecture masters degree and I've continued to follow through on it.

Interestingly, I realized that, unintentionally, a number of stories I've written revolve around worlds that exist only inside people's minds, mental landscapes, places that have no material form but are no less 'real' despite that.

So I guess it'd be exploring the 'constructed environment', whether that has a material form (where the body lives) or an immaterial one (where the mind lives).