PiT

Niche Games Enjoyer

Average person in their 20s. View Backloggd for my taste in games. I swear it's really good! And to clear up confusion, when I say "PMD", it always refers to "Pokémon Mystery Dungeon", which is another series I love!

Play Klonoa: Door to Phantomile and Freedom Planet 2! And Solatorobo, and PMD: Gates to Infinity; those games have been shaping my preferences considerably!

SPOILERS FOR GAMES 2+ YEARS OLD!

Discord: pit1772 (Formerly PiT#1772)

That first link shown above, is where you can find the thousands of 3DS Pokemon Mystery Dungeon portraits I sorted with the help of Emmett Eon; very good stuff!


Steam
steamcommunity.com/id/B1Q64
Reddit (I don't use this often at all; mostly just another place to DM me if you have no other options)
www.reddit.com/user/PARTNER_iNTiME/

The Last Soul/S.O.R. Super Mix (Bare Knuckle/Streets of Rage & Bare Knuckle II/Streets of Rage 2 [1991/1992])

More Sega Genesis highlights usually means an inevitably cool electronic Bass, and when Yuzo Koshiro’s involved, you know the genre variety will kick in and impress you at some point!

Which is to say, the slower pace of today’s pick combined with the instrumentation, helps “The Last Soul” stand out from all the competition. Because of this versatility, it also feels like a good sort of “hub world” track, funnily enough.

S.O.R Super Mix is the bigger highlight here though: With a mix of the predecessor’s “The Last Soul” and “You Became the Bad Guy!” themes as the basis for this remix, comes a worthy successor used for both the opening cutscene and final stage of this sequel. Again, the Bass is a common highlight in Sega Genesis soundtracks, with new sounds on top of it to provide an extra-detailed somber atmosphere, fit for the finale; you’re at the source of Mr. X’s cycle of miserable criminal activity, it’s up to you to put it all to an end!

(Length before loop [The Last Soul]: 1.5+ minutes, [S.O.R. Super Mix]: Nearly 3 minutes)


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in reply to @PiT's post:

SoR Super Mix always has a sombre, nostaligic tone to it for me. Maybe it's due to the hours I've spent playing SoR2 (and SoR Remake), but it's probably also due to the stage itself; making it to a quiet lobby of the Syndicate hideout, the sun peeks out in the break of dawn. That imagery sort of left an impression on younger me.

If I was able to put a like on a comment as with Tumblr, I'd so do that right now. Talking about the game's setting in relation to the music always interests me, I wish I had more time to put that kind of talk into the music descriptions, but my priorities and lack of preparation for the 2nd half of this whole list (All tracks decided, but descriptions are blank) leave me rushing things a little. Thanks for the comment, Txt, it really makes me think of how VG music is perceived in different contexts!