• she/her

Goddess and Princess. I do art and writing and coding. I probably don't do nearly enough of anything.


boltgsr
@boltgsr

i think one of the things that's most difficult for me, as i try to get back into writing, is feeling like i need to Say Something with my art. this is of course total nonsense, but a side effect of spending too much time in online critical analysis spaces and art spaces is that it's created this mindset where if you want your art to be good it needs to also have Good Politics and Good Themes and Good Intentions and Good Representation and etc. etc. etc.

obviously, like. it's not a bad thing to have those things. but it does lead to this sense that, if I don't know what I'm going into my writing trying to Say, there's no point in writing it. which again is total nonsense, but sadly knowing something is nonsense doesn't stop our brains from acting on it. and it encourages a mindset where i feel obligated to consider my writing from an outsider's perspective, all wrapped up and Coherent and Consistent, and in doing so i'm basically choking out the actual creative impulse lmfao.


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in reply to @boltgsr's post:

lol god yeah with my personal project the setting is kinda anarchist? like i dont really go that deep into it outside of "well there's no money exactly and people help each other out if they can" and i gotta wonder if people will get weird about that part of the politics when its mostly just that im not interested in figuring out the nuances of that lol. its not about that either way but god its always kinda nagging thing to worry about.

god yeah. sometimes you just want a vibe and you don't want to do 6000 pages of worldbuilding to ensure everything is perfectly consistent with real-world political theory.

in my case, i'm writing about a human thief who uses a magic potion to transform into a dragon so he can steal from a wealthy dragon scholar but accidentally falls in love with him and winds up wanting to stay transformed. whoops! time to worry about transgender parallels and class dynamics!!!! and like, obviously i'm not saying i want to write completely oblivious to these things, but there is definitely a part of me that's still worried about "what if i do this Wrong" about, again, literal transformative magic potions to turn into dragons, a thing that Doesn't Fucking Exist lmfao

It's 👏 about 👏 wanting 👏 a 👏 nice 👏 yet 👏 hot 👏 dragon 👏 boyfriend 👏 and 👏 angsting 👏 over 👏 wanting 👏 to 👏 be 👏 a 👏 hot 👏 yet 👏 nice 👏 dragon 👏 boyfriend 👏 too

Yeah, I've had thoughts along these lines about what I Wanted the fanfic I'm currently writing to turn into and am slowly turning into "whatever, let's just put something down and see what happens..."

Except I haven't written anything in like two or three weeks now, oops

I get So trapped in the Notes Dimension making sure all the bits are in place and while it's a little fun it's also so draining to comb through every little detail making sure every little bit of symbolism meshes with the specific Theme and building some complex web of character interactions making sure they all have some very specific dynamic while Also making sure it's not literally thoughtless and just, I never start the dang thing.

The best way I can think to articulate my own intended solution that may or may not be helpful is that if art is communication and writing is a conversation then all I can do is say my own thing. I can't make someone understand "what i'm trying to say", it's literally up to the other person to process that information. There may be miscommunications but when it comes to writing it's not up to me to fix those, the reader is going to take what they get from the thing and that's up to them. I'll never be able to polish a story enough to make every single person understand the single specific One Theme that it's About, so I want to learn to just take an idea I think is cool or interesting and run with it without stressing about how messy it'll be or if people won't "get it" or whatever.

Of course sometimes "what i'm trying to say" and the moral of the story is that There Was A Weird Man, doesn't always need an essay video explaining the themes and secret intent behind the thing (that will inevitably be based on the essayer's own interpretation anyway and will probably be wrong and then all that stress will be for nothing)

Yeah. I try to imagine what a good-faith reading could see, because I don't want to accidentally say awful things, but I don't particularly try to appease bad-faith readings that intentionally misread stuff, bc that's unavoidable if people get determined to read that way. I used to worry about this endlessly when writing queer stuff (will people think this bi character by a bi writer is bad representation because she's dating a guy??) and it definitely made it difficult to keep up the drive to write

Definitely a blocker I encounter from time to time. Sadly, I haven't really figured out how to get around it. I think my coping method is just to really stick close to what I know 110%, even though that can often be so basic and predictable that I wonder why I'd bother writing it at all.

Constantly bouncing between This Could Be Problematic and Literally Everyone Has Already Said This can be quite the mental whiplash.

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