Token credit: "Vampire Kryl" (Larry Elmore?, 1992), from Tales of The Lance, published by TSR.
Cutout: Promotional Image for Forbidden Lore (Bruce Nesmith & William W. Connors, 1992).
Sticker: Alex Norris, available from The Oh No Shop.
Card: "Old-Fashioned Vampire" (Simon Dominic Brewer, 2017), from Magic: The Gathering - Unstable, published by Wizards of the Coast.
Earrings: Claire's.
Murnau's silent film was based on the Bram Stoker novel, but the title and character names were changed because Stoker's widow charged, not unreasonably, that her husband's estate was being ripped off. Ironically, in the long run Murnau was the making of Stoker, because “Nosferatu” inspired dozens of other Dracula films, none of them as artistic or unforgettable, although Werner Herzog's 1979 version with Klaus Kinski comes closest.
“Nosferatu” is a better title, anyway, than “Dracula.” Say “Dracula” and you smile. Say “Nosferatu” and you've eaten a lemon. Murnau's story begins in Bremen, Germany. Knock (Alexander Granach), a simian little real estate agent, assigns his employee Hutter (Gustav von Wangenheim) to visit the remote castle of Count Orlok, who wishes to buy a house in town--"a deserted one." A clue to the story can be found in Orlok's letter, which we see over Knock's shoulder. It is written in occult symbols; since Knock can read it, we should not be surprised later when he calls Orlok “Master.”