Belarius

(Zdzisław Beksiński, 1982)

A mystery for the ages: Megadeth is dadcore as all hell and yet Rust In Peace can still kill five or more small children who are exposed to it unprepared

A mystery for the ages: A snowmobile is dadcore as all hell and yet a 2024 Polaris® Patriot Boost RMK Khaos Slash 155 can still kill five or more small children who are exposed to it unprepared

trespassing
(tres·pass·ing)
Half-heartedly watching a 3-hour video essay about a niche and unfamiliar subject as a means of killing time.

As a writer, director, and producer, Chris Carter is best known for creating The X-Files, first a show and now a 30-year franchise that plucked a tense cord deep in the psyche of Generation X. This success has had a totalizing effect on Carter's public image - either you know him as the X-Files guy, or you have no idea who he is. And indeed, aside from his monster hit, his filmography consists almost exclusively of abject failures and weird experiments. One gets the impression that he's the sort of guy who lives in the shadow of his single jackpot idea and never managed to bottle that lightning a second time. But Chris Carter did create one other show that seemed, for a time, to have a life of its own. And that show was Millennium.