deadryn.

For the Asheville Blade I write about my neighborhood getting turned into an armed camp and how, once again, locals are treated like intruders in our own city.

One of many things that puts the lie to the idea that Asheville city government is "progressive" is how utterly eager they are to appease fascists.

this shit has really been burning me out on jungle lately. i will love it forever but seeing it coopted into this bullshit has been so depressing. seeing this shit get turned into buzzwords by people like me like... jungle is one of the most revolutionary art forms in music history.
if youve never engaged with the first wave of jungle i encourage you too, this documentary is a good place to start:

you should also know there is huge revival scene bringing back the og sounds. people and labels like Tim Reaper/futureRETRO, Green Bay Wax, Scientific Wax, Deep Jungle, Infrared (to name a few among many many others) have been holding it down for years now. i may be like autistic but searching this shit out is not hard. jungle old and new deserves your respect. and it makes me mad that i have to tell you all this. it is much more than "peshay studio set 1996" and far far more than any number of youtube ps1 jungle compilations. that music is good and great but treating it as the be-all-end-all turns this art form into a meme. and it deserves far more than that.

if you don't know what Jordana did for jungle, or the price she paid for being Black and trans in the 90s, i got some history for you! (there's even an easter egg about this track in there~)

she's rejoined the seattle scene in the past few years and that alone brings me so much joy i cannot express it.

also i did NOT realize that the guy who came up with hit em is one half of Matmos, but man, that fuckin makes a LOT more sense that a girl was giving him time signatures and BPM requirements in a dream