fun fact: in the credits sequence for IMMORTALITY, I took Nainita's incredible pop song Two of Everything and recorded it onto a Yahoo! Hit Clips and got it to sound fucked up with zero digital editing by using nearly dead batteries that I kind of fiddled with with the back off as I recorded it back onto the PC from the aux out of the Yahoo! Hit Clips
- they/she
- ghoulnoise.bandcamp.com/
✨composer/sound designer✨
MTL🍁✨
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📝 Times & Galaxy 📝
😼 SKIN DEEP w/ Blendo Games😼
🪦Revenant Hill w/ TGS (RIP)🪦
🔥 IMMORTALITY 🔥
🟪 Patrick's Parabox 🟪
🚀 JETT: The Far Shore 🚀
☃️ A Good Snowman is Hard to Build ☃️
🙏 Can Androids Pray 🙏
🤖 Can Androids Survive 🤖
👨🏻 Iron Man: VR 👨🏻
🪐 Voyageur 🪐
👻 The Silence Under Your Bed 👻
🧠What Isn't Saved (will be lost)🧠
🪲 Mama Possum 🪲
🪱 Dumpster Date 🪱
🖥️ The Relief of Impact 🖥️
🧊 Beneath Floes 🧊
🫖 The Domovoi 🫖
🔜 Southern Monsters 🔜
posts from @ghoulnoise tagged #immortality (2022)
also:
I'm VIBRATING rn
Nominee in Dialogue Editing:
“Immortality” Half Mermaid
- Audio Directors: Kevin Senzaki MPSE, Priscilla Snow
- Dialogue Editor: Diana Cha
Nominee in Music Editing:
“Immortality” Half Mermaid
- Audio Director: Priscilla Snow
- Supervising Music Editor: Nainita Desai
- Music Editor: Priscilla Snow
- Sound & Music Implementer: Priscilla Snow
- Scoring Editor: Nainita Desai
- Audio Programmers: Connor Carson, Dylan Nelkin, Lizi Attwood
https://www.rockpapershotgun.com/the-femme-creatives-who-built-immortality-and-how-they-did-it?
Yes it's true, the real reason I love doing horror audio is so I can watch streamer's faces change when something spooky happens 😈
Really cool article! And such a fun idea to interview the team without Sam hehehe