and the second part of that scene.
"Clementine Kesh is a footnote, at best" is a great line to look back on, imo
SYLVIA (as Millie): Okay! So! I was wrong and I admit that. It’s like, cool, we’ve all made mistakes. I just think now it’s a little easier because we’re not in the middle of the city that her family owns? And like, I have like access to- You know, a lot of the soldiers here really like me.
KEITH (as Leap): Yeah, and no one really likes Clem.
SYLVIA (as Millie): No one really likes her! Have you like- we should-
ART (as A.O. Rooke): No one likes her.
KEITH (as Leap): No one likes her.
SYLVIA (as Millie): I was gonna say “have you thought about that,” but Leap, you have thought about that the most.
KEITH (as Leap): Yeah!
AUSTIN (as Figure A): Seven people do like Clementine Kesh.
SYLVIA (as Millie): Can you give me the full list?
KEITH (as Leap): Yeah, can we hear that?
ART (as A.O. Rooke) Seven?
AUSTIN (as Figure A): Seven.
SYLVIA (as Millie): I don’t believe you.
KEITH (as Leap): I- ugh, yeah, sure, what are the seven?
SYLVIA (as Millie): That’s like, three too many.
AUSTIN (as Figure A): Sovereign Immunity.
SYLVIA (as Millie): Okay.
ART: Don’t know about that!
AUSTIN (as Figure A): (crosstalk) Gucci Garantine, sort of.
ART (as A.O. Rooke): These both- These are tenuous so far.
KEITH (as Leap): These better be in ascending order.
ART (as A.O. Rooke): Yeah, this better get to more liking.
AUSTIN (as Figure A): Thetonious. Gucci’s bodyguard.
KEITH (as Leap): Okay.
SYLVIA (as Millie): Okay! Sure!
AUSTIN (as Figure A): They think that Clementine is kind of funny sometimes.
KEITH (as Leap): Okay.
ART (as A.O. Rooke): Kind of funny sometimes is the standard here?
AUSTIN (as Figure A): Comparatively to the people in this room, yes.
ART (as A.O. Rooke): Okaay.
AUSTIN (as Figure A): Zo’la, who likes the powerful, innately.
SYLVIA (as Millie): So far- Yeah, and is also being paid by Clem.
AUSTIN (as Figure A): (crosstalk) Alise-
SYLVIA: Oh no, wait, paid by Gucci, my bad.
AUSTIN: Paid by Gucci, yes.
AUSTIN (as Figure A): Alise Breka, who understands that Clementine Kesh has a unique position and perspective on events, and who was, of course, schooled in Kesh matters, in Kesh schools.
KEITH (as Leap): That one’s disappointing.
AUSTIN (as Figure A): The Blossom, who thinks of Clementine Kesh as a protégé.
KEITH (as Leap): What? Some of these are without- These last two are legitimately surprising! Okay, keep going.
(SYLVIA laughs)
AUSTIN: This is according to a whole situation that Jack set up months ago and I have to be honest with it.
ART: Isn’t this like- So it’s only one more, right? Or was that it? Was that seven?
AUSTIN: I think there may be one more. Um.
AUSTIN (as Figure A): I do.
(KEITH, SYLVIA, and ART “aww”)
ART (as A.O. Rooke): Why?
SYLVIA (as Millie): Now, notice how her mom wasn’t there. That’s pretty funny!
KEITH (as Leap): Yeah.
AUSTIN (as Figure A): (crosstalk) Her mother does not like her very much.
ART (as A.O. Rooke): Yeah, that’s fucked.
SYLVIA: (crosstalk) And then they all laugh!
AUSTIN (as Figure A): I will say that I have browsed the annals of history. I have seen the depths of what humanity can do. Clementine Kesh is a footnote, at best.
KEITH (as Leap): Sick. Um. We can take the shoe off that foot, like this week, I bet.
(AUSTIN laughs)
ART (as A.O. Rooke): I don’t think that that’s the… That that’s what that means.
AUSTIN: (crosstalk) Is that what footnote means?
KEITH (as Leap): I think- Well, I think a foot is more powerful with a shoe on. So you take the shoe off, and then they’re a footnote.
SYLVIA (as Millie): (crosstalk) That is- I- I mean I guess it probably depends on the note, but I don’t know if you wanna-
ART (as A.O. Rooke): (crosstalk) Like a sock-note.
KEITH (as Leap): It really depends on what?
SYLVIA (as Millie): Oh, I was just gonna say, I think it depends on the foot, but we don’t need to get into that while we’re eating lunch.
AUSTIN: I think that is scene.
SYLVIA: Yeah.