(via http://clint.sheer.us/media/japan.htm)
Powerful to imagine an era in which before there were like giant TV databases people were just... out here trying to catalog stuff on their own. I was going to say it's hard to imagine just having a giant text file you use online for everyone to see, but then I also use Notion, so...
personally i think it's good that no social media platform has actually emerged as a viable replacement for the ones that are decaying and nevertheless all of them hate each other while some % of the users on every single one are constantly becoming embroiled in their own convoluted drama that actually i never glimpse firsthand and which does not actually affect my experience in almost any way but when i do learn the slightest bit more about the situation it is always some shit foolish beyond imagining
so like, this is a really interesting (and painful) read but there's something that really strikes me, where he mentions how close to ship everything was coming together, and god. What a mood.
I feel like it's one of those things that would absolutely shock gamers but is just kind of Understood among many gamedevs - that when games come out bad, it's not that the developers somehow were lying or concealing something, but that many games are very, very bad for 99% of their development time and then they become good at the last minute, like putting the final piece into a puzzle. Everything interlocks and then it finally makes sense.
Or it doesn't fit. And then you do what you can and hope.
and so like, you know. you come off a game like clockwork empires, which I worked on for like 4+ years, and it's like "didn't you know it was bad?" No, I simply hoped - down to the literal last second patch we never shipped - that it would become good. You spend most of development feeling that feeling. You have to feel that feeling, because otherwise it's impossible to get through that lengthy middle bit that's just working and working and so little obvious impact from it. The fact that it never manifested sucked for me and sucked for the playerbase, but there's never any maliciousness in it. It's just so damn hard to tell whether something is going to work out or not until you do the work.
Maybe I'm especially prone to this because I work in indie, which often lacks dedicated designers. I've been on a lot of games where the development process could be perhaps kindly described as "improvisational". I imagine, or I'd like to hope, it's a lot cleaner on stuff like action games where the terms are clearly understood. But, you know, when the gaslamp crew set out to make "dwarf fortress but accessible" I think we truly were figuring out every single step as we went. That doesn't have to be bad - sometimes it works out, and I think sticking explicitly to 'best practices' can lead to really conservative games. But the tradeoffs are pretty clear, right? Ambition can sometimes be like a really cool prototype plane that looks a lot less cool when it stalls and crashes.
One of the things I truly believe is that no one on a dev team ever sets out to make a bad game. Gamedev is buoyed by nothing if not eternal optimism. And so it's really hard to know what "honesty" looks like, right? Do you go out there and say "well it's awful but it'll be good by ship?" Will anyone understand? I've been working in this industry for over a decade and I still don't think I've ever shipped a game where I truly knew whether anyone was going to like it or not when it released. So you hope, and you do your best to make it good, and you hope some more. And if you're lucky, it works out.
And if you're not... well, maybe you end up like that guy linked above and get pilloried for a decade for things your boss's boss's boss did. Idk. It's a rough position to be in.
oops bought a new laptop and completely forgot about it for like three months. sorry about the delay!
