lexyeevee

troublesome fox girl

hello i like to make video games and stuff and also have a good time on the computer. look @ my pinned for some of the video games and things. sometimes i am horny on @squishfox



the morning after the previous post i tweeted a funny, relevant picture, logged out of twitter on my phone, and closed my semi-permanent twitter notifications tab.

i also made a secondary mastodon account that i didn't publicize anywhere, because i don't like being followed by 90% normie tech dudes and i don't like the person i seem to turn into around them.

so the last few days have been kind of low-key weird.

mostly, they've been quiet.


i think a lot of this revolves around how i used twitter, which may not be how anyone else used twitter.

i wouldn't really read twitter except first thing in the morning (in bed) and last thing at night (also in bed). between those, for the most part, i would just have notifications open, and when i wasn't doing anything else that would be my active browser tab. so it would just be a slow, gentle trickle throughout the day of "someone liked your tweet".

and, you know, that's nice. that's nice to know. i like knowing that. i think, ultimately, that's what it's all about.

cohost has been reminding me of my earliest days online, where i would just go "hey guys i figured out how to make a rainbow text generator in javascript" and i would stick it right in the post (because in those days no one knew what script injection was and javascript couldn't do anything anyway) on a forum that 8 other people read, and i knew all of them, and they would marvel and then we'd spend three days making posts in rainbow text. and that's great.

of course now you don't even need a generator, it's barely a line of css smh kids these days

because it is just nice to know that other people appreciate that you're around, y'know? and i guess that was my primary use case for twitter: to get tiny drips of that feeling, because not feeling it is sort of a thing i struggle with.

except twitter had very specific types of things it appreciated the most, and it did not correlated with the types of things that i appreciate the most, and that was very strange

for example my pokétweeting was relatively panned. and i am looking these things up in real time as i write this so i sure hope they back up my thesis

current favorite part of violet is that i get to fuck up this guy's car
❤️ 33

game freak chose to have a crying baby in a diaper evolve into a rock star. what could they have meant by this
❤️ 71

these still make me laugh. they are exactly my favorite type of goofy humor. they play with the sheer absurdity of this paper-thin franchise, contrasting serious interpretations with cartoon monster world, right at the moment a new installment comes out.

and yet twitter account "eevee" with 30k followers cannot broach three digits

unless i'm discoursing

people on the tl going "why didn't you QA it game freak" while i think about how my first playtester fell through the entire world regularly, something i could never reproduce and still only have a guess as to the cause of
❤️ 732

in gen 1, you could swap items with pokémon, allowing you to arbitrarily corrupt ram. focus energy decreased the chance for a critical hit. you could softlock by simply not having enough money. gust was normal-type. with charmander, the first gym was nearly impossible
❤️ 1,743

the former is something i've tweeted about before, but without the comparison to pokémon. the latter was a whole thread of bugs and other goof-ass behavior in previous games. honestly i don't think it even made the (not explicitly mentioned) point it's going for very well. but that is a different post. somehow a list of fairly well-known facts from bulbapedia, which can be interpreted as being part of an argument, breaks 1k, whereas my extremely good normal jokes do not.

and whatever you think of my extremely good jokes, twitter is clearly nudging me in a particular direction here.

i mean we can even sort of compare like-with-like by finding another tweet about fox flux bugs

collecting the list of bugs shaken out by the last fox flux build and it is all completely bananas stuff like
"one person has all the progress icons disappear, sometimes"
"another sees the parallax background glitch out"
"accessibility features break puzzles"
"level 4 has no key"
❤️ 35

oh boy. i left fox flux running in the background, eventually heard a single "thud", and tabbed back to discover lexy had fallen 0.068px into the floor. not looking forward to this debugging nightmare
❤️ 174

and okay the latter isn't too bad, but i know that it's because it's a Relatable Dev Nightmare and mentions nothing specific to the game itself. and i guess the implicit promise of twitter was that the people showing up for the relatable stuff would somehow end up invested in the rest of it and that hasn't really happened.

(to be fair i don't tweet specifics about fox flux that much, and i probably should more. i think i would like to do that more here. i think it's a combination of two things — ① it's a puzzle game and i don't want to give away all the puzzles, or even give away so many of the mechanics that the audience can infer what the puzzles will look like ahead of time, like i accidentally did to myself with portal; ② in front of a big mysterious audience i start to feel like i am Advertising and that if i show unfinished things then it will backfire. this might be derived from the occasional experience of giving people something rough to play with and getting feedback mostly about like "the title screen seems unfinished" as if i hadn't noticed. also ③ twitter makes it hard to actually talk about anything so it's pretty much only good for advertising)

so anyway the usual frame of my day has, historically, looked like this

  1. wake up
  2. look at phone
  3. receive psychic damage
  4. reply to a fucking senator or someone with "this sucks"
  5. sit at my computer and get 300 likes over the course of the next ten hours

and... for what? to keep the number up? but the number is full of people who most care that i can snark about current events. thirty thousand people and not even 1 in 300 of them is interested in my poképosting

my username is eevee


my new masto — masto 2 — is very quiet. i haven't figured out who all to follow there yet and i'm trying to keep the tech toots more like "i made a browser engine in a single rust macro and also it's gay", less like "Check out my startup where we help startups found other startups and also exploit labor!"

well, no, it's not just that. i feel a little ashamed to admit this, but i think i am tired of activism. or, rather, i am tired of pretending to sort of be an activist by saying things that seem both obvious and important, set off by having seen other people also say them. i would like to think i've made some kind of difference with something but i have no idea really. mostly i feel like every day for at least six years i have woken up, spent an hour drinking poison, and then tweeted "poison is bad". what a crucial public service that is. at least for a while i would like to do less hearing about horrifying structural problems and defiantly imagining a world with zero horrifying structural problems, and more hearing about individuals and the nice little gardens they are cultivating.

i've been dabbling in coposting. and like i said it reminds me a lot of the 90s teen nerd internet experience. messing with the platform itself, but having things seen mostly by folks i already know. even if they don't comment, a ❤️ from a face i recognize consistently from the last ten years means a lot.

it's nice to have cleared the slate back to people who are actually kind of invested, i guess. people who recognize me and go "oh yeah i want more of that".

(i suspect a lot of my current twitter followers are people who followed for one tweet and i cannot comprehend that level of instant committal. it did cross my mind recently that maybe there are people who use their twitter follows less to mean "give me all of their tweets" and more "hey twitter here is the general flavor of stuff to recommend to me", and if that is the case then i think i want to bury twitter in a deep hole that is not a place of honor.)

and that might change, as/if cohost grows. but on a platform without a built in dick-measuring contest, i don't know what that might be like. even on twitter i had a sense of the folks who replied regularly, the avatars that popped up with a nice or interesting reply regularly. i just also had the sense of twenty-nine thousand nine hundred sixty other people also staring in silence with no idea what they wanted from me. maybe that will go away without follower counts, even if it means i can't tell how cool and popular i am.

(they have the numbers, you know. they have all of the numbers. they just won't give them to us)

i hope they lean into the css thing. i hope they add view source for posts. i hope they find some way to expose other kinds of fuck-around tools. native pencil-puzzle support, inline svg, native pico-8, more extensive iframes, whatever. i just like the feel of a feed where there are little gizmos to play with right there, without cordoning it off in that very twitter-embed way, like i need to go play by myself in the corner. i like that this is a platform that supports making stuff in little ways and sharing how it works. that was always the spirit of the internet to me.


and yet the last few days have also felt weirdly empty. i can't tell if something is actually missing or if i just stopped eating junk food. time has passed very quickly and i don't feel like i've been doing anything, but it's not like i've had a constant waterfall of posts to read, so i don't know what exactly has been happening.

i've been sleeping pretty badly and that always fucks up my adhd, so that might be related. (sleep isn't because of twitter or anything — it's just started getting cold and that means i have cats stepping on me and cramming themselves behind my knees so i can't move and meowing to get under the covers 17 times a night)

i don't know what to do about income still, but i don't feel any worse about it than i did a week ago. i don't think anyone was paying me for my tweets. but then i don't know why anyone is paying me, still.

i hope my game works out.

i also have a smutty masto and a smutty cohost (@squishfox) and maybe those are the best place to think about this. because you see, i have approximately zero financial stake in my adult artwork. i've never taken commissions and i don't have an adult patreon. i draw stuff because i feel like drawing it, and then i post it to the internet and it's nice when number goes up. but it doesn't go up very high, because the things i like to draw are a bit niche, and the furry porn universe is full of professional artists whereas i am a hobbyist mostly posting sketches i half-assed cleaning up.

i'm still logged into squishfox twitter on my phone, due to Reasons, but i don't really post to it a lot except when i occasionally draw something. and i still always had the feeling of being on a stage in a dark auditorium, possibly expected to perform somehow, but not sure how and not even sure if there's an audience watching. like i see other artists do the porn tone narrative framing thing and i feel like i don't want to do that but i don't know what i want to do instead either.

do i want to be a "popular artist"? does that matter? i like when people are interested in things i draw but it's kind of a disappointment to get 300 likes and zero replies. like if someone replies and is trying to play along then wow, cool, i established a world that you want to dip your toes in, i am going to remember you and be happy if you do it again. that is a tangible impact i had on someone — i inspired them to have new ideas of their own. i can't understate how much i appreciate that.

but if i somehow got 10k likes then i would go "wow! this doin numbers" for 0.2 seconds and nothing has actually changed.

i'm not exactly sure what i'm looking for, and it's very much complicated by the lingering sense of the internet public as a potential antagonist, and the mildly corrupt motivation of trying to transmute posting into groceries.

i wonder what will happen from here.


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in reply to @lexyeevee's post:

I remember seeing a couple of these tweets in person on my own twitter timeline

I think the thing about a place like Mastodon is that, you may get less likes and shares, but it most likely makes a bigger impact with them than on Twitter, and yea, Twitter seems to encourage a very specific way of posting that I found myself falling into once. I stopped doing that and just started posting however I like. I know I could have more followers on there if I played into the algorithm, and I know how to play into the algorithm on there, but I just won't do it

As for cohost, well it's nice here without the numbers, but also, you can't just go back to an old post later and go "wow people really liked that one huh" which I guess is ok

twitter's algorithm actively worsened this problem by sorting every post by buoyancy: volume of engagement, and rate of engagement when presented. if you stumble into the wrong audience you are doomed to only ever get feedback and traction on the thing that they want to see and engage with, even negatively. if you react to that at all you risk becoming very tightly coupled to this awful machine, shaping yourself to the fucking endless river of Guys, endlessly performing what they want to see. even if you try to drown it out the system turns down the volume on all those unwanted posts and nobody will ever witness them.

youtube channels can never change what they are about.

oh man yea, lmao I posted a short mastodon thread the other day about how I really tried to diversify what I talked about on Twitter because some people would just see me one dimensionally as if that's the only thing I'm ever interested in ever, and it's just, really unhealthy

even with youtube channels, you can get a glimpse of other stuff they're into, but even then they're just risking the algorithm

yt account managers will literally tell you if you want to make videos that are different or about a different thing you have to post them on another channel because the system will not fucking understand. the choices are to start over almost from scratch and now manage 2 entire fulltime channels if you want to make any money, or crash and burn your main channel so you make zero money either place

i know i'm preaching to the choir a little bit but it's truly ghastly, and twitter does the same thing. hopefully an inherent demand for commitment in a follow, like a completely time-ordered timeline with no buoyancy checks, is part of an answer here

the goofy thing is that i know there are people who like when i post how i want, and i even like knowing those specific people like my posts, but twitter brings in a big anonymous crowd that i don't really care about and it fucks everything up somehow

I would like to point out 'masto' means 'nipple' and therefore your masto two - which you neglected the chance to call 'mastwo' - would be 'two nipples'

The incentive systems for social media as currently structured is about making a glowing rectangle that tells you when to scream and wants to know why you're not screaming.

There's a lot here and I'm not really sure what to comment on in particular. I could just say "yeah I vibe with this" but that doesn't feel enough, because I've been wanting more than "yeah I vibe with this" from social media. And hell, often I feel like I've not even got that.

I'm still checking Twitter out of habit, but if I see anything neat instead link things in Discords, and try not to post at all.

I'm tired enough of discourse and activism I had to mute someone's retoots on Mastodon for being like... like it's not like I disagreed it just felt like preaching to the choir, every half an hour, except in the space of five minutes because it was a string of rapid-fire boosts.

I miss the vibes of "[being] on a forum that 8 other people read" and every time I see someone post about the damage losing Twitter will do because they rely on it for finances I just feel frustrated. I'm frustrated at the gravitational pull of there being only one website on the internet. We must've had some system in the past for commissions before all this! But I'm also frustrated because I too don't rely on commissions for finances (it's more a casual thing), so I'm not one that, say, will be unable to pay bills if people don't see me opening.

it's nice to have cleared the slate back to people who are actually kind of invested, i guess. people who recognize me and go "oh yeah i want more of that".

as someone with a significantly smaller twitter account, one of the weird experiences here is that (especially as the site has grown a little bigger) it's just way more likely for one of my posts to get interesting replies here than twitter. This site is very much in a 'shaking out' period where people are being more outgoing as they look for friends, but it's been an interesting counterbalance to twitter where it feels like people RT/fave/move on without much thought unless you're specifically having a conversation with people.

(i suspect a lot of my current twitter followers are people who followed for one tweet and i cannot comprehend that level of instant committal. it did cross my mind recently that maybe there are people who use their twitter follows less to mean "give me all of their tweets" and more "hey twitter here is the general flavor of stuff to recommend to me", and if that is the case then i think i want to bury twitter in a deep hole that is not a place of honor.)

The "heavy twitter users are people who tweet 6x a week and are a minuscule portion of the userbase" thing has kind of shaken my understanding of how people even use the site. I was away I posted more than most but I guess in the world where people are using the site that differently, following off a single tweet maybe makes sense? Who knows

I feel all that. I never got super big on twitter in the first place, but I stopped posting as much on tiktok at a certain point because it felt weird that when I deviated from my 'brand' I'd get like 18 likes instead of 80k.

here, I found myself writing out posts and comments that with the flavor of pithy wording that might get likes on twitter or tiktok, and then deleting them, because there aren't likes on comments and that sort of things isn't really rewarded or valuable. so now I just comment when I actually have something meaningful to say, and do my best to ignore the rejection-sensitivity urge to delete something which I don't immediately get positive feedback for.

which is wonderful and freeing, but also a bit unmooring as someone used to chasing that dopamine. I think that's probably "fast food withdrawal", but brains are weird and I don't really know what's optimal for me in online spaces. I feel safer on cohost than I've felt on any other social media platform in a while, though.

I can relate to how you feel about Twitter and how it makes you post a certain way to get attention. Some of my last tweets were a meme I thought was very clever but got a whopping two likes, and a random reply under one of your tweets (funny coincidence) that got 30. It doesn't make any sense and it felt awful.

I was waiting to get out of no posting jail on Cohost, and even quietly watching a platform where people are genuinely happy to be here was such a jarring but welcome change that I tweeted where else to find me and swore never again.

It’s just as radical to live like you’re already in that better world as to imagine and advocate for it (to what little extent we can). Sort of a “dress for the job you want” thing. That’s why this actively radical space is much more positive than Twitter. We aren’t going to make a world where everyone’s happy by learning how to only be mad. Especially for the kind of society we live in: if we want people to join us so we can hit critical mass and actually change some things, we should strive to be a community people want to join.

Not to say that protesting and activism is pointless. Just that a balance makes sense, and is good.

it did suck that good engagement and community were hard to come by on twitter. seeing the sorts of unpleasantness that founds its way to bigger accounts, i guess i'm glad to have avoided all of that.

the exodus to smaller, more focused Nerd Zones like here has definitely been a shake-up, hopefully it'll've been for the better.

more to the point, i liked seeing your gamedev posts and about the skills you've been learning in the process. they've been really inspirational for trying to get my own stuff started.

I appreciate this post and I'm glad you wrote it and that you're here! I didn't follow you on Twitter, but I'd see your content from time to time. I hope you're able to find a way of posting you like on cohost :host-joy:

huh, i somehow missed “posting incentives 1” when it was posted. maybe i’m bad actually at using this website??? i’ll kind of reply to both posts here since i have several miscellaneous thoughts to share (famous last words before i end up typing another 4000 words… i hope comments don’t have character limits and that you don’t care about getting way super long ones!! sorry!! i guess i could’ve put all this in a “reshare”(?) but that doesn’t exactly feel appropriate either?? oh my god this is almost as long as your entire post fuck i am bad at using this website, this has to be using this website wrong,)

i’ve had vague awareness that there was some kind of 〜⁠⁎✧𝆯❈ ⁠internet drama ⁠❈𝆯✧⁎〜 surrounding you or someone you live with, but i’ve never cared to investigate specifics as i generally prefer to judge people on my own terms (i consider myself pretty good at it!). i didn’t realize this was in 2018 though; maybe i assumed whatever it was happened before i was aware of you. learning that kiwi farms was involved, i now have a higher opinion of you and your partner, and a complete disregard for whatever this manufactured drama was. frankly i’m just glad you survived that ordeal, because, very tragically, not all of the super cool trans people they go after do.

these posts made me question what it was that made me follow you in the first place, and i honestly don’t recall exactly what got me following your Twitter, but it was either your ZDoom exploits xor just people retweeting you often on Twitter and you seemed like another cool “alt‐tech” person so i hit follow (and then later i saw you on the ZDoom forums and probably was like “whoa that’s the fox i followed on Twitter, how’d she also get here??”). idk when precisely this was besides ≤2015 (it was definitely before you made Throughfare). then after the 2016 USA presidential election i dropped my Twitter timeline cold turkey (i.e. treated the site as write‐only) because i knew it would be impossible to escape all the politics on there that i didn’t want to see (though i did still look at it during specific events like E3 where the relative politics content would be far lower). (sadly i also lost that “ad hoc group chat” experience and so fell out of touch with a bunch of friends by doing this, but they were also falling into the Twitter trap of just tweeting about politics all the time, so…!)

when i tried getting back on Twitter in June of this year (which lasted ⁓19 days before USA politics promptly took a shit all over the internet again with Roe v. Wade), i aggressively unfollowed people posting too much politics and activism and just Discourse stuff onto my timeline. i was sad to see that this included you — and here i’m learning you didn’t even really like doing that! i guess i can also see what you mean about your tweets being more aggressive after 2018 though, since i clearly saw a vibe at that time that i didn’t like. but i’m still here because i followed your Mastodon in mid‐2019 around when i made mine (i don’t remember how i knew you had one?), and recently Twitter’s implosion combined with me wanting to get back on social media ended up getting me on using Mastodon and cohost instead of Twitter, and i didn’t want to unfollow your Mastodon without giving it another shot. because i knew you were cool even if the discourse posting was too much for me, and that you managed your Mastodon and Twitter differently (not just cross‐posting the same content on both), and that having CWs could mean i wouldn’t need to see politics posting when i didn’t want to. and now recently i seen you posting stuff like “stop showing me what fascists are doing!! i don’t care!! it just increases their reach and makes my brain bad!!” and i’m just clapping my meat hands together and shouting “YES EXACTLY” at my computer screen. i don’t think this approach to activism is something to be ashamed of at all!

having exceptionally bad takes in the early 2010’s is also an experience i relate to. it’s why, when i was credibly fearing targeted harassment from a specific group, i locked my public Twitter for many months and kept it radio silent until i created and executed a workflow to go through to remove any pictures that could doxx me (sadly also including cat pictures) and any old tweets that could be used to paint present me very poorly. that was weeks of work on and off — which will now promptly go down the drain when Twitter breaks down before this calendar year is over i expect. what even was the point!! sigh

honestly, the way i’m using cohost and Mastodon (and had used Twitter when i used it this year) is almost exactly like how you used Twitter, minus actually getting a lot of notifications i guess. so i wouldn’t say the way you used Twitter isn’t like how anyone else used it! seeing people appreciate what i post on some level also brings me joy, but i try very hard not to let it influence what i want to post. i got dozens of followers from tweeting about smooth Minecraft hole once (i also do not understand people who follow someone based on a single tweet, like at all, especially if they already follow like 3+ figures of accounts, what are you doing), but like, i don’t want to post about Minecraft much, so i don’t. i’m only interested in cultivating the audience of the people who will stick around for me instead of for specific content i make. on its face, this seems like a poor business decision! and i of course say all of this from the perspective of someone who’s never been presented the real opportunity to turn their posts into a livelihood. but i really don’t want my required participation in capitalism (“mildly corrupt motivation of trying to transmute <participation in society> into groceries”, as you put it, which i guess is “corrupt” insofar as capitalism forces us to work in corrupt systems) to involve creating a more complex persona than “me but in public”, because i don’t like what i’ve seen it do to people.

the “bristling to seem bigger” is definitely something i’ve watched happen to multiple cool people i’ve followed as they proceeded to get more popular, and so more negative attention in tandem (which has a much larger impact on a lot of people than positive attention does, so even if there’s more positive attention even proportionally, it doesn’t really counteract that!). it makes me really sad to see people close themselves off and become more cynical as they’re subject to this. maybe, actually, it’s bad to make it so easy for random strangers to put words in front of your eyes that you hate (too bad it makes tech corps money — i like that cohost and Mastodon seem to have better controls than Twitter in this area though). i’ve become apprehensive to amassing a huge audience because i don’t want this to happen to me too! seeing posts this honest and personable from you after the whirlwind of online experiences you’ve gone through is, based on my experience, very unexpected as such. but i’m also glad that the internet’s wrath hasn’t, i guess, destroyed this part of you.

as well, while the lower numbers on posts seems like bad business, i would posit that the networking you get out of the “post‐what‐you‐want” approach ends up being more valuable. i find that when people look at an online presence and see “a cool person” rather than “a curated, force‐fed brand”, they’re more likely to want to get to know you better / get “invested” as you put it, and so they’ll more often offer support and critique, engage with more types of content you create, and even collaborate on projects (when it comes to other creators).

i didn’t know your income dropped off hard during this “off Twitter” era of my life; i just assumed you were still doing well there. makes me sad, maybe i can also pitch in… related to that:

on the other hand, "give me two dollars because i told a joke you like" is a somewhat harder sell.

somehow the only place where i’ve noticed where this kind‐of‐sort‐of happen regularly is Reddit with their golds or whatever, i don’t know, i don’t really use Reddit. but if cohost also implements a system like this, maybe that could help us more easily fund all the shitposters who bring us their valuable shitservices. also, my understanding is that drawing furry porn which is “a bit niche” for commission can end up being surprisingly lucrative! even if you aren’t at all a professional with a highly detailed rendering process. i think this kind of work more than others draws people in based on just the base “art style”, and from what i’ve seen of your art on occasion, the style you’ve developed is fairly unique. drawing for money might be stressful in the same kind of way as feeling compelled to make blog posts all the time though, but also maybe not. hard to say!

as far as your games, i’ll be honest: the passion project of yours (“fox flux”?) is something i’ve kept myself in the dark about very much so on purpose — and this is not the first time i’ve done this. Oddwarg, creator of Eggman Hates Furries (unironically one of my favourite games), also started working on a magnum opus project they eventually crowdfunded. however, because the development was so open (literally the whole code repository was public during all of development), i so highly value “fresh experiences” with games, and i knew the end product would be incredible because they’re a Certified Furry Genius, i decided to never look at anything being posted about the game until i saw it was done — at which point i sat down and played it all through, which was an incredible experience i wouldn’t have had in exactly that way otherwise. i view your own “magnum opus” project in precisely the same way! i could still stand to play your other smaller projects though (besides the NSFW VNs you collaborated on which i don’t have interest in admittedly). (i also have so many games i need to catch up on in general though, christ.) also like maybe i should just say “fuck it” and play whatever demos and stuff you’re making anyway because i think i can give valuable playtester feedback. anyway i hope your game works out too! and everything else about being online! the internet is big and scary, just like the world, but i live for the beauty i can find in both

hey thanks for the big thoughtful reply. these posts took a bit out of me so i've been getting to the comments gradually. always happy to see wario land 4 sound room guy

the, uh, "internet drama" is a long-running affair that sort of climaxed in 2018 when some legit fucked-up stuff came to light. which we didn't know about, but got sort of blamed for anyway. it is a long story but suffice to say i don't think i'm worth cancelling.

i miss near. they reached out and were very sympathetic after that whole mess.

dang i can't believe you remember my nap by name, obsolete spelling and all. wish slade worked so i could make a second one, ha ha.

2016 was definitely a turning point (although gimmighoul and some personal experiences had already put something of a damper on twitter before then).the whole damn site became politics. it was... it was such a dramatic shift. and it was good for twitter because it meant more DAU. awful.

sorry for getting sucked into it. i went through several rounds of trying to at least disable retweets from the biggest offenders (and publicly lamenting that i kept contributing to this), but it seemed like i would have to drop half my follows to get out of the vortex.

i guess what really happened is that twitter is what i use to blurt out stuff that's been rolling around in my head for too long, and if my timeline is constantly full of horrifying political news, then that's what rolls around in my head.

i just. i followed some prominent trans folks earlier this year and it made my timeline a constant parade of what horrible thing jk rowling said at a fucking picnic or something. and that was starting to wear on me. and then the shooting just a few miles from my house in a relatively sleepy city and something just snapped in half


it's not even so much that i had bad takes in the early 2010s. i mean, that's not great, but also, i suspect i already wasn't going to get along with someone who balks that i said something thoughtless in my mid-20s. what actually fucked me up was that people went looking for bad takes i might have had, even as far back as when i was 18/19 — almost two decades ago now. for years it felt like someone always breathing down my neck. it definitely impacted the way i tweet and pushed me to safe generic things... like "political thing bad".

it sucks that "what do i tweet" is a business decision at all. i wish i actually knew how to just, turn my effort into cash without all the song and dance. i hate marketing, i hate selling things, i hate even saying "hey please give me two dollars on patreon". i don't want to ask people for money. even for a game. why do i deserve to be paid for this, i can just email it to you


i'm also glad i remember how to be vulnerable. i've been trying to do it for months, actually, and occasionally managed to wring out drops of it on twitter. i think what really struck me was that discovery that a mastodon of tech followers felt just as stifling as twitter, whereas cohost didn't — meaning it really wasn't me, it was the environment i'd been marinating in.

it helped to step back for a moment and realize that having a mildly-impressive-sounding 30k twitter followers has mostly not benefitted me at all. if my games and toys and whirligigs have an audience, i'm not sure it quite overlaps with startup CTOs and people who want to retweet epic dunks.

i think i would like to find people who like me as a person instead of as a genre of tweet. i guess i got used to that being the kind of twitter early adopter who replied to me frequently in the old days, and i took for granted that that's just how it was, and then things got really weird as twitter took off.


i don't know if i could do art commissions honestly — the impulse to do art comes and goes for me, largely arbitrarily, and having to push myself to do it and fret about quality would probably stress me out rather a lot. it does seem like i should be able to find some way to turn art into money, but i feel like i'm still pretty hit or miss at it so... i don't know yet

haha, i think avoiding the constant stream of prerelease info on a game is reasonable! i guess the trick is to get people interested once even if they don't look at updates after that, and it's hard to tell when that's happening. i absolutely do not know what i am doing. but i'm glad i'm a certified furry genius and i hope that means i can actually finish this god damn thing which will never happen if i keep coposting

i unironically love being the “wario land 4 sound room guy”

you don’t need to apologize for getting sucked into political discourse tweeting so much as Twitter needs to apologize for manipulating us to fuel partisan vitriol for their own corporate gains. they did this to lots of good people!

selling things not being fun is a big part of why i am such a strong proponent of ex post PWYW monetization, which i should do a copost essay on at some point. i admit it still can’t solve all the problems caused by the capitalist box we must operate in, but also nothing can except for destroying the box.

perhaps YCH commissions could be an easier way to get paid to art. by design, people are buying what is already an almost‐finished product, which addresses at least some of your concerns i think?

i can relate to coposting consuming more of one’s time than it really should so i give you permission to not reply to this comment and move on with your day. yes this is the perfect solution to this online etiquette conundrum, i’ve solved it,

I'm preparing for Twitter to bite the dust too, and I swear you don't notice exactly how much it creates this emotional void when you're not doomscrolling or tweeting. I'm glad to recognize that, because it makes me actually stop on my way to go to Twitter and realize I can use my time for something better. Like here!

Most social media I've tried to use, I haven't been really active in participating in. I guess I'm guilty of being one of the ones who stare silently, but I loved seeing the interesting things people were doing and talking about. Maybe discovering cohost is a chance to change my ways and join in the conversation :P

You're an inspiring internet creature and I found myself getting sad and upset when all the KF stuff happened. But I'd seen this kind of weaponized outrage attack a couple times before so I knew what to expect...

Looking forward to more random stuff posts again, and the game! To me, being on the defensive all the time was super exhausting and unproductive, so I too retreated to tiny friendly spaces more like here

god, what you said reminds me too much of myself. even just the thing of "i don't like being followed by 90% normie tech dudes and i don't like the person i seem to turn into around them" has made me reorganise my twitter accounts several times, because it always gets to me eventually. i kinda want to force myself not to tweet about tech but it is still a part of me and i can't resist the catnip of doing it sometimes, and then i get hundreds of tech followers.

yeah i'm kinda struggling with this. earlier my "secret" mastodon got followed by a "Founder and CTO of $thing" and i frowned so hard but then i just blocked him and it was fine.

i doubt i can avoid them forever, but i'm at least trying to be a tiny bit less dunky and more thoughtful (which should slow them down a bit), and hopefully by the time they start showing up i'll already be very comfortable having every other toot be about fox butts or something

i feel a little ashamed to admit this, but i think i am tired of activism. or, rather, i am tired of pretending to sort of be an activist by saying things that seem both obvious and important, set off by having seen other people also say them.

I think this is the core of so many problems in that site's culture, and I say this having been caught up in them myself.

The idea that you can tweet the world better became an article of faith ... and as that faith got more and more tested, twisted into recrimination and rage spiraling, into the idea that tweeting is morality, that you must tweet through it to be a right and good person.

thirty thousand people and not even 1 in 300 of them is interested in my poképosting

tbh, I feel like this goes one layer deeper: the way Twitter is built up is that if I like pokeposting, my followers get to eventually see pokeposting, assuming they are using the Default Twitter Home Timeline Experience™. And because this somehow helps Twitter, they are good at making people use the Default Twitter Home Timeline Experience™. At some point, you grow aware of this and just start to understand the exact shape of the box you're in. It's a friendly cardboard box from the inside but you don't see the metal bars on the outside until you poke at it.

Using someone's likes as a way to show things to someone's friends has completely reshaped society. You can't be the "tech person that also likes Pokemon posts sometimes", because you're followed by tech people that don't like Pokemon, and interacting in the Pokemon community will completely confuse the algorithm. And people have forgotten how to interact in places where you can be two things at once. That feels overly dramatic, but it really did. If you want to be successful in those kinds of places, you need to do exactly one thing. The one everyone knows you for, follows you for. You can't do anything else. You can't even show interest in liking anything else. Anything you like can and will be used against you. If you're the kind of person that likes to do a bit of lots of different stuff then too bad, I guess?? Even though that's like, basically everyone. You don't get to be a person, you get to be a Content Creator™. If you're a normal person making things you get sent to the void because you're competing against Content Creators™ that have a numbers and probably also skill advantage.

And I can kinda feel this. I had a proper Twitter account for like 2 weeks half a decade ago, and one of the things I did was following then unfollowing someone that made neat art but also posted about chess a lot. As much as I like seeing people enjoying their things even if they're not things I enjoy, I don't want a feed that's 50% chess. And I also don't want a computer to decide what I end up seeing based on vague number things, because they're just not that good at it. It's like scrolling through my old old old email address' spam folder. I got kind of tired of the public internet after that.

For all of its flaws, reddit figured this one out by focusing on communities instead of people. I feel like reddit But Good™ is how things should be. Open but isolated communities, nobody cares if you like knitting, Pokemon, programming and other stuff because nobody's following you, they're just following communities. Cohost having a way to bookmark tags feels kind of like a hint at this, but idk if it'll work out. Sometimes those communities just really need special moderation that you can't get with open use tags backed up by general site moderation. It is 2022 and I have casually reinvented the concept of Usenet for the 50 trillionth time.

Anyway I did the thing where I write the same thing the long post said but in different words. Which are also really long but idk how to make them shorter. I guess that means I agree. Or something. Yay!