makyo

Author, Beat Sabreuse, Skunks

Recovering techie with an MFA, working on like a kajillion writing projects at once. Check out the Post-Self cycle, Restless Town, A Wildness of the Heart, ally, and a whole lot of others.


Trans/nb, queer, polyam, median, constantly overwhelmed.


Current hyperfixation: SS14


Skunks&:

ā³ Slow Hours | šŸŖ” Beholden
🫓 Hold My Name | ✨ Motes
🌾 Rye | ā˜… What Right Have I
🌱 Dry Grass | āš–ļø True Name
🌺 May Then My Name

Icon by Mot, header by @cupsofjade

posts from @makyo tagged #post-self

also:

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End Of Endings — 2403
Ɨ
Rye — 2409

The Woman and Her Friend decided that her path forward would be one of intent and deliberate action. After all, that is how our System works, yes? We intend to be wearing a piece of clothing we like and we are. We intend to step from this sim to that, and we do. We intend to fork and, lo! There beside us stands another instance of ourself! They are a whole new us! They can live their own life, going their own separate way and making their own choices, or perhaps they can go out to do some task or another or visit some friend for coffee and then quit, merging themself back down into us.

They decided on a list of five things that she should try.

Why five, you ask? Well, I honestly do not know! Perhaps because of the five fingers we have on each paw. Perhaps it is because we have two arms, two legs, and a head protruding from our trunk. Or perhaps it has to do with the stars. Starfish? Little wandering doodles to replace the tittles above our 'i's and jots above our 'j's? Each an iota, a mote, a symbol to our future selves, a note for later. Asterisms and asterisks.

Ah, but I digress. The Woman and her friend chose a list of five things that she would try — should, you see, is a value judgment — in order to seek joy in small ways or in small places. The Woman knew that it would be hard. She knew that she would have to bundle up all of her energy and all of her patience with herself and all of her drive and use that to let her last through these explorations of joy.

You see, the first of these five was easy enough to do by herself. She decided first to try new foods. She decided that she would try all kinds of foods! She rooted around through the exchange to see what things she had never tried, whether because she was not brave enough or because it sounded like it would taste too strong or because she remembered not liking it back when she was Michelle, back before she had uploaded.

The whole of the clade is, in so many different ways, focused on hedonism. Such is the joy of maintaining a hyperfixation of sorts. That the tenth stanza seemed to have, each at their own point in time, let that hyperfixation on processing shift into a sort of stasis was an accident. None of them are so sad, of course, that they cannot still feel joy in their lives, as we have well seen. The Woman has shown us, yes, and even Her Cocladist, who held so poor a view of her lot in life had joys, for it was her who most often cooked to the peculiar tastes of her stanza.

And The Woman had her own particularities when it came to food. When she cut the crusts off her sandwiches, it was a way to ensure that each bite contained precisely what she wanted in the ratio of bread to filling. After all, one cannot always spread the peanut butter up to the edge of the sandwich! If you do, your fingers will wind up sticky with peanut butter and the oil it stains your fur with will leave behind a lasting scent — ask me how I know! — but if you do not, then you wind up with a whole mouthful of little else but bread. It is a balancing act, you see, and The Woman has found that if she spreads the peanut butter just so, then cuts the crusts off, she winds up with more perfect bites than not.

Particularities and peculiarities! The Woman has as many as you or I, dear reader, and perhaps more, and so her first task was to seek that which her particularities and peculiarities had covered up. Was there a thing that she had missed? Was there a food that she had only ever tried bad approximations of and actually earnestly liked?

Yes and no, as is ever the case.

Yes, because, although her spice tolerance was quite low, her flavor tolerance was far higher than she had ever given herself credit for. She found in a Laotian restaurant a salad made with green papaya and soy sauce and fish sauce and mint and cilantro and the crispest lettuce leaves she had ever had a love of a new food. It was so salty! It was so savory! And yet it sat light on the tongue as mephit teeth struggled to crunch down on the slivers of unripe fruit well enough to macerate. It was sour with lime and tingling in the mouth with mint and coated the tongue with that pleasant soapiness cilantro seems so keen to provide.

The Woman fell in love immediately, and although the tom kha gai that followed was too spicy for her, she plowed through that as well, and set aside the sense of fullness as she worked next on mok pa, a dish of fish served steamed in banana leaves, and finished with a delightful plate of mango and sweet sticky rice, all drizzled with sweetened condensed milk. The fish was lovely, yes, and the dessert delicious, though it stuck in her teeth.

And no, because with each success shining as bright as that crunchy and flavorful tam mak hoong, there were dozens of nights of upset stomachs and burning taste buds. Pineapple, she found, was the fruit that ate you back. Chilies, she found, burned as hot as ever, and there were no ways in which she could comfortably consume them without being left in tears — she was left sobbing, my dears! On one memorable occasion, she was left sobbing, even after she forked with a clean mouth, even then, the remembered pain left her curled in a ball in the back room of the restaurant while the kindly owner doted on her with offerings of ice cream and soft pets and gentle, cooed reassurances.

No, because her limits were reinforced. For every victory, there was a reminder that she was unwhole. My friends, I think that everyone is unwhole. I know that I am. I know that I write and write and write, and that is lovely, yes, but I also know that I can be a prickly little terror when caught up in my emotions. I know that I spend my time at my books, at my desk, and, though I try to be a comfortable and comforting presence within my stanza, though I try to dote on my up-tree, I am never able to give quite as much as I would like. I think everyone is unwhole, and I think as well that, to us, our unwhole-ness is more evident, more dire than it is to those around us. You and I, friends, we see The Woman coming across a boundary in her tastes and nod and think to ourselves, "This is no moral failing! The Woman has done no wrong. She should feel no shame." But to her, it felt like a failure to reach joy.

She, too, understands dialectics, do not get me wrong. She, too, knows that these reassurances of boundaries also come with the discoveries that she made, all of the green papaya salads and savory Artemisian treats that Warmth In Fire and its ilk had set on the market that she fell in love with. But always before her was the goal of joy, and while she would count her successes, she would also count her failures — no, no, do not contradict her, she saw them as failures and there is now no changing of her mind, not these many years later, not as she is now — and cluck her tongue and shake her head and go home and lay down in her bed and take one of those naps that she was so good at.

There was joy, yes, but it was not a complete joy. Her hedonism with food was a lovely hedonism and she cherished it, but it was not the hedonism she needed for this task.



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End Of Endings — 2403
Ɨ
Rye — 2409

The Woman lingered long on the words of Her Cocladist: aught else aside from our lot in life.

What was her lot in life? What was a lot in life? Was she limited only to one thing? Was she bound to stasis? And what, then, of her thoughts on eternal stillness? What did it mean that a seed had been planted within her and had lately begun to sprout? She knew where they came from.

Her lot in life had at one point been to teach, to revel in the joy of acting and directing and sets and props and lights and sound and audience and her lovely, loving students who ached for nothing more than to be seen, to receive some perhaps hug from this person who they trusted and yet who could not give them such for fear of disease and regulation in equal measure, to receive some perhaps affection from their cohort and yet which their beloved teacher stopped them for fear of disease and regulation in unequal measure.

She knew the helplessness of having her agency ripped from her. She knew the feeling of being seen by something larger than mere personhood, a thing which saw her and said, "this here is a wretched and despicable thing," and then took her from the world. And then her lot in life was to campaign, for though she still taught on occasion, still directed, she found she could not act as she wished, and still she had to refrain from hugging for fear of the discomfort of touch.

She knew the feeling of splitting herself into ten unequal parts so that she might at last rest. She knew that her lot in life then became to process what she had become, for that was the role she remembered of the tenth stanza, not simply to linger in suffering.

She lingered on these thoughts in her unjoy and pondered the meaning, the actions implied, and, with as firm a resolve as a woman who is too much herself could muster, decided that she would not lean into this idea of perpetuity as Her Cocladist dwelt within. She may have a lot in life for a time — for a year, for a decade, for a century — but not for the entirety of her existence.

It was within this lingering that she reached out to Her Friend: "No Hesitation, would you like to meet for coffee? I have something I would like to speak with you about."

There was a sensation of a tilted head, of a quiet huh, in the sensorium message. "Of course, my dear. So soon after our last meeting, too. I am curious what has you reaching out! When would you like to meet?"

"Now, if you are free."

A laugh, and then, "I can be. I can send a fork. Same place?"

"Yes, please."

Today, for the first time in she did not know how many years, The Woman passed through her secret door onto the street with a brush of her fingers on jamb, and then walked to the coffee shop. Walked! She skipped the trolley! She let go of a ritual, gently set it down on the corner of the street where usually the trolley made its stop, and stuffed her paws in her pockets — for today was a day where she was apparently to be a skunk — and walked briskly to the coffee shop. Yes, the trolley passed her, yes she could have arrived much sooner, but there were the cobblestones beneath her feet-paws and there were the fallen leaves skittering anxiously about her and there was a gentle breeze tugging plaintively at her skirt and her shirt and her mane and her whiskers.

The Woman instructed herself to take joy in these things; or, if not joy, at least pleasure. She tried to feel the seams of cobblestones beneath her unclad feet for a block. She counted leaves for a block. She imagined the wind as gentle paws ensuring that she knew the bounds of her body for the last block. As she opened the door to the coffee shop, she considered her various success and failures in the exercise. The cobblestones were perhaps too cold, but the sensation more pleasing than she had imagined. The leaves made her anxious in turn, but she imagined them having errands to run, purpose before them. The wind proved to her just how thin her clothing was, and just how thin the fur beneath that was on her chest and belly, but it did indeed remind her of her bounds.

As her fingers brushed over the frame of the door and it shut behind her, she looked over to the bar to find Her Friend ordering the usual two mochas, tail looking quite frazzled.

I do not remember if I told you, dear readers, but The Woman's friend was also a skunk. Ey, along with ey stanza, had leaned firmly into that remembered identity. For, you see, we were furries before we uploaded, and we remain always furries. Even those who present as humans — plain and boring! Plain and lovely! — still have that identity within them; metafurry, we have called it. Before we uploaded, before we arrived sys-side, Michelle Hadje spent all the time we could online, on the 'net, where she presented herself as Sasha, a skunk who dressed herself in a linen tunic and Thai fisherman's trousers. Prior to that, she had been a panther, too, a feline creature of dark pelt and flowing dresses never was brave enough to wear as Michelle.

This is the reason why The Woman was at times a skunk and at times a panther and at times a human, and why Her Friend and I are skunks. We remember being a human and then going online to share in our zoomorphic joys with those around us.

And so there as Her Friend, standing by the counter, trying to quickly brush out the frazzled fur of eir tail while the barista worked on the two mochas. On spotting The Woman, though, ey straightened up, smiled, and bowed. "End Of Endings. It is a pleasure to see you again."

The Woman bowed in turn. "Very much so, No Hesitation. Shall I find us a table?"

Her Friend nodded.

The Woman had no trouble in staking out her usual spot, as when one goes to a coffee shop in the middle of the afternoon, there are not quite so many who are hunting down drinks to help them wake up. That is not to say that there is any wrong time for a mocha, mind. I have mine right here, and I am writing this at nearly three in the morning.

"Now," Her Friend said after settling in in eir usual chair. "Tell me how you are feeling. Tell me about this topic you wanted to address."

The Woman smiled. "I am feeling okay. I was feeling quite good after our last meeting, though that faded over time, and for some days, I was feeling rather bad."

Her Friend nodded. "You have mentioned such in the past, yes."

"I suppose I have. I was thinking this time about how I felt so much joy, and how I wanted to share that with my cocladists, so I started making them little treats. It felt like I was putting a little bit of joy into each, though, and that led to me running out."

"Oh? Is this a new thought?"

The Woman furrowed her brow. "Perhaps, yes. I was thinking about it during the lead-up to therapy. I was having several strangely-shaped feelings, actually." She laughed, shaking her head. "I was feeling a protectiveness over that. I feel comfortable sharing it with you, my dear, but I did not feel that way with Ever Dream."

"Can you tell me about that?" Ey smiled, adding, "Sorry. I try to stay away from therapeutic language in our discussions, but habits are habits. I really do just want to hear."

"I trust you, No Hesitation." The Woman brushed the longer fur of her mane out her eyes as she pieced together her words. "It felt like a thing to bear within me. I...well, I had considered sharing it, as well, but then Ever Dream requested that I stop. I told her of our meeting and the joy and was going to mention this sharing of joy, but I mentioned our conversation and she requested that I stop. She said that she would like to hear about it from you herself rather than from me."

Her Friend sighed. "She did not need to. I understand why, but she did not need to. I believe that I am your friend before I am her cocladist, but I do not think that she would agree with that."

The Woman sat back in her seat, mocha clutched in her paws. "Alright. I believe you on that, too."

"Did you wish to talk about that? About joy diminishing?"

"No. I wanted to talk about a conversation that came up after the fact. I spoke with Rejoice, and she said that she felt that we are stuck with our lot in life, but the more I think about it, the less I believe that. We may have a lot we are dealt for a portion of our life, but not the whole of it."

"Are you thinking of your unbecoming, then?"

The Woman lapped at her whipped cream for a moment, considering. Was she? Perhaps she was. She had not connected those particular dots, but when it was stated aloud by someone other than herself, she felt truth in the worlds. "I suppose I am. I am wondering if reaching for something would be a sort of unbecoming of this static self."

"Ah! That does make sense," Her Friend said, smiling. "If becoming something new means unbecoming your current self, then I will gladly cheer you on, End Of Endings. You are one of my best friends on the System, and so I am happy to see you become ever more what you can be."

The two skunks smiled wide to each other, sharing in this sentiment, this mood, this, yes, joy. The Woman felt it now. She felt that the energy was perhaps not quite there, that she would have to truly exert herself, but that she could still reach for good things in her life. She would have to teach herself joy, and perhaps it would be much like what she had done on the walk here, a presentness or a deliberateness.

The Woman and Her Friend set to work, then, discussing what she could do, what she could learn, what she could yet become.



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End Of Endings — 2403
Ɨ
Rye — 2409

The Woman is a professional in napping in a way that I am not. Perhaps it is the felinity in her, or perhaps it is that she is not so easily claimed by such compulsions as I have — graphomania! Hah! — which lead to such fervent activity. Were I a smarter skunk, I might say to myself: "Rye, my dear, perhaps you can write your novels when you are caught in such throes, and spend the months between practicing the fine art of napping!" But I am not a smart skunk. I am a simple beast who is single minded. I am an animal who does one thing and perhaps does it well. I do not know! I am perhaps too simple to disambiguate being doing a thing well and doing a lot of a thing.

Ah, but perhaps this is why I interpret The Woman at being a professional napper.

Either way, when she returned home and lay down, she immediately fell into a deep, deep slumber. It was a sleep of no dreams, nor perhaps even rest, but served well as a way to disconnect from contexts innumerable, to step away from the world unpleasant. She slept and slept and slept — and yet, she slept for only twenty minutes. Twenty minutes later, she opened her eyes and looked up to the ceiling, and spent another ten minutes picking out familiar patterns in the drywall texture beneath the paint. They were her familiar constellations. There! The fennec. There! The open hand. There! There! There! The swan and the cat and the light-footed opossum dancing around the maypole.

And then, at last, she stood up, and as her feet touched the ground she was, yes, whisked away into felinity, and so it was The Woman who was a cat who padded back downstairs, dressed now in billowy slacks and a flowing blouse. She dressed this way because she felt unstable, and knew that chances were better than not that she would wind up a skunk by that evening.

The living room was empty, but sitting on a stool in a kitchen with a thoughtful expression on her face was Her Cocladist. Her Cocladist, for reasons too complicated for me to pick apart in a fairytale, struggled with her form more even than The Woman did. The Woman would occasionally blip from human to feline or from feline to skunk or from skunk to human, but, in ways that neither I nor The Woman remembered without fondness, Her cocladist lived in a constant superposition of forms. As she sat there on her stool, cheek resting in her palm while a pot bubbled lazily away on the stove, she wisped steadily between skunk and human. Skunk. Human. Skunk. Human. Her pale white skin, which had ever been so soft to the touch and borne such overwhelmingly kind smiles, would give way to black fur. Her hair, curly and dark that framed her face so well, would ghost into a tousled white mane. Behind her a luxurious tail would swish into being and then out again without a second thought.

I do mean that, friends. There is no thought behind this constant changing. When I experienced that, so many years ago, nearly three centuries ago, it was never a thing I could control, not well. I could swallow down a form for a while. I could gulp dryly and linger for a while in humanity, only for a cough or hiccup to come along and send little cookie ears to sprouting, send a white-striped-black muzzle stretching in front of my face.

And always when this happened, the slightest touch would lead to bile rising in my throat. It would feel like sunburn. It would feel like some awful beast letting its bulk settle against me, reminding me of its presence — a threat — with slow breaths.

I do not know if you have ever touched a skunk, dear readers, but they are not silky soft. Their fur is soft, yes, but in the plush, cushy way that a dog's might be, or perhaps a short-haired cat. We are truly lovely to pet, I can assure you of that! Why, I will pet my tail for hours as I sit and think and write in my head. In fact, I am doing that right this very minute!

Skunks, I mean to say, are still lovely to pet. We can push our snouts up into your hands and tilt our heads to ensure you scratch in just the right spot behind one ear or another. More, we deserve that. All creatures deserve that which they cherish, and we cherish touch.

We all cherish touch, and in those moments when we were ghosting back and forth, when touch led to vertigo, that which we cherish was taken from us, and for some of us, for The Woman's cocladist, this was still true. It was not perhaps always true — perhaps there were stretches when she was able to settle into one form and exist in comfort and get gentle, doting pets from The Woman or some other cocladist or some perhaps lover, and perhaps she may yet still.

But for so much of her life, this lovely touch, this cherished thing, was out of reach for Her Cocladist, and so she sat on the stool before the stove while a pot bubbled lazily away.

"Rejoice," The Woman said quietly from the entrance to the kitchen, bowing to Her Cocladist.

Tired eyes swung around to meet her, and an equally tired smile graced both human face and skunk muzzle. "Ah, End Of Endings, my dear, my dear," Her cocladist said twice over. "Have you been well? Have you had a good nap? Did you have a productive therapy session?"

The Woman smiled as well — though her smile was not quite so tired, you understand; she just had her nap — and willed a stool into being some few feet away from Her Cocladist. "I have been well, yes, and my nap was as lovely as always. As for therapy, well..." She trailed off, shrugged.

Her Cocladist nodded. "I understand. I ought to perhaps consider picking such things back up once more. There are many therapists, yes? Not just within our own clade, yes? Perhaps I will seek one of them out some day when I am not so tired."

The Woman nodded. She knew what was coming next, but we all have our rituals, yes?

"But when will that be? Who knows. I am always tired, yes?" A dry chuckle, and then, "Such is our lot in life."

"Perhaps, Rejoice. I would like to think that there is something else. I have been thinking again on the process of unbecoming."

Her Cocladist sat up straighter. "Ah, yes, your dream."

The Woman nodded.

"You will have to tell me when you figure out what that is," Her Cocladist said, then returned to watching the pot. "That is, I think, something that I would be interested in, yes?" She waved a paw that was now a hand that was now a paw again demonstratively.

"Of course, my dear."

Once more, Her Cocladist rested her cheek carefully on her hand or paw or perhaps both. "If there is aught else aside from our lot in life, I would desperately like to know. I am not sure I believe that there is. If the seventh stanza exists to provide us with therapy, then we exist to give them clients. If they need suffering to fix, then we must suffer."

The Woman sat in silence along with Her Cocladist after that, and the house was as as silent as it ever was, and the only noise in the kitchen was the lazy bubbling of a pot on the stove wafting the scent of some mild curry throughout the kitchen, and The Woman wrapped herself up in that scent and took what comfort she could from it as she thought on Her Friend's words some days ago, all but confirming Her Cocladist's sentiment about the seventh stanza, and what it meant that such might also be true for her stanza, the tenth, and her thoughts bubbled as lazily as the pot on the stove and The Woman sat in that silence with Her Cocladist, and the house was as silent as it ever was.


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