frankie boyle's beanbag chair of death

Y'know, I am not the world's biggest Chris Nolan fan. I didn't see either Tenet or Intersteller and while I am not avoiding them out of any moral stance I also don't feel the need to actively seek them out. However, I feel like Nolan has a certain philosophy to his filmmaking that is waning in the current cultural moment: one that studio filmmaking should be an avenue for exploring sociatal feelings regarding moral positions as opposed to simply providing entertainment. I expect Oppenheimer to be more like The Wind Rises in terms of it's lesson: the pleasures that come with discovery also carry with them the costs of the world. Strangely I think Gerwig also explores a similar place in her work, from a different angle.