Le Samouraï Review

Pristine natbait. The way the meticulous framing and cuts echoes and emphasizes Costello's meticulousness. He's almost always shot in profile or dead on—indirect angles are rare and brief. The camera frames him in right angles, in the center of doorframes and surrounded by lines, until his plans start going awry and the perfect symmetry breaks. The subtle but consistent thrum of the samurai metaphor, the killer's code propelling him forward and lifting him up and ultimately the only thing he sees when he looks inside himself.


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in reply to @nex3's post:

I just watched this recently after seeing a trailer for it at Siff when they were showing Seven Samurai! it was pretty fun :)

i appreciate he had his own Javert to badly track him around the metro. I wondered if they made the big light up metro map just for him lol

Now it is time to watch Ghost Dog: the Way of the Samurai like my wife and I did, and really stew on the feelings those two movies engender when juxtaposed. I don't think Ghost Dog is quite as good, but it has some really fun American flavor.