• they/them

composer, accordionist, electronicsist, nascent game dev, professor, parent


Trying to come up with ways to indicate how stressed syllables in lyrics can go against the prevailing meter, without relying on music notation. Like, does this make sense? Trying to show how the text and melody strongly implies 3/4 while the underlying music is in 4/4.

TOSS your dirty
SHOES in your
WASHing machine
HEART

TOSS your dirty SHOES
in my WASHing ma-
chine HEART


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in reply to @piesaac's post:

I just posted something you may be interested in: https://cohost.org/graham/post/158428-word-rhythm-tools

Specifically, I think that the crux of making something feel 4/4 versus 3/4 is leaning on words whose rhythms "span a whole measure when each syllable is given a quarter note" and whose rhythms get the stressed syllable on 1.

Using Primus Paeons can do that in 4, while Dactyls can do so in 3. I don't think you'd need more than a measure or two of them here and there, but I think the effect would be grounding to that time signature. To mess with things, you'd only need to mess with where the words end (a natural break) and mess with their rhythms so the stressed syllables are regularly not on the start of the measure