I decided to crop some photos as close as possible last night instead of finishing up some paperwork that's due on Tuesday because that's how dedicated an employee I am. This was probably the best result as barrel distortion mutated a lot of faces.

I always got better results doing street portraits than I ever did trying to follow the street photography ethos of "decisive moment". I think it was everyone aping the success of Humans of New York that kept me from pursuing the idea further.

Busan, 2015. Samsung NX500.