I'm trying to make deeper melodic refinement more habitual. Really and truly marking the thing up until its clearest character emerges, examining it on multiple layers before calling it complete. Here's one from this morning on the bus.
I have a bad habit of putting down notes and a few marks, and storing the rest of a line's potential in my head--as an orchestrator, I need those things nailed down to the page, so my brainpower can be used to solve larger musical problems instead of storing smaller musical information.