← but some part is blaring and perfect →



i'm ian, i've got music in my pores—but i love reading, tinkering, and experimenting pretty holistically: a mile across, but only a few inches deep in places. you probably have got an adequate intuition for that if you're here



@ıI||||||Iı#ıI||||||Iı@ıI||||||Iı#ıI||||||Iı@ıI||||||Iı



(abridged) list of current projects:

🎼final revisions, electronica LP
🀄svg timeline, china's dynastic history
mixed media video essay, chess history


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learning chinese⇒ 🀄 ⇒@cidian
〃to be a person⇒ 🦒 ⇒@aquamanile


✨X≡¤≈∶∓⹀)⁄⁏;-ɐ±‥≁ɚ×—≡¤≈∶⹀⁏|∣-♯‥≁ɚ×✨



🧿🏡🧿https://ianremsen.nand.sh
🎶🎼🎛https://audio.com/ia.remsen
🔡🗨🔡@​iar:matrix.org
🐘⚗🐘@ian@​cathode.church
🐘🎹🐘@ian@​musicians.today


last.fm listening



voidmoth
@voidmoth

The first chapter of ATP is very emblematic of French post-structuralism in that it's not actually that conceptually complex but is easily confusing to read. Essentially D&G set up their central concept of the Rhizome and then spend the rest of the chapter elaborating it over and over from different angles, using different metaphors. This can become pretty overwhelming if you lose track of their central argument. So uh what's a rhizome?


rem
@rem

i wish 'rhizome' was a common word in english because if it was just translated into english as 'root(s)' i feel it would be a much more immediately approchable concept


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