Look, I recognize the reason the CGI is shoddy is that overworked, underpaid VFX artists are given an impossible date to hit while suffering constant reshoots and throwing out work. The problem isn't them.

The problem is that a studio thought this looks acceptable.

as we know musical theater songs can be easily categorized due to the purpose they serve in the story or the audience's experience. this is useful for criticism as well as casual enjoyment. the I Want Song takes place when a character states their goal for the audience; the story will not be complete until this resolves. the Eleven O'Clock Number is meant to energize the audience to get them through the end of the show; it resolves a side character's story, displays some amazing production design or dance piece, and restates the core conflict to lead us to the climax. a Torch Ballad allows the romantic lead to pine for their forbidden love.

and finally, a number which was once very popular and frankly needs to make a return, Some Sailors Are So Horny They Will Literally Die, Endangering the Whole War Effort, If They Don't Cum Soon

i think the difference between a casual blogger and a journalist is that journalists confirm sources and check basic information by asking people who would know, before writing an article

with apologies to most of modern game journalism for saying so

It's depressing honestly, i used to be the biggest advocate in the world to other devs that game journalism was doing important work and critical analysis mattered but now we're at a point where polygon is crossposting low quality tiktok explainers to their front page and it's like. idk. What I loved is gone. It left. It was destroyed.

(flirting at a party) yeah I actually saw rejected in the theater as part of the first animation show. yeah. yeah i kinda knew about “my spoon is too big” before most people