softchassis

Purpose-built for wrong

thousands are sailing
the same self the only self

self willed the peril of a thousand fates

a line of infinite ends finite finishing
the one remains oblique and pure

arching to the single point of
consciousness

find yourself
starting back


Bluesky (short posts and nonsense)
bsky.app/profile/softchassis.bsky.social
Tumblr (long posts and effortposts)
softchassis.tumblr.com/

cathoderaydude
@cathoderaydude

if you have ever once in your life watched a TV or film production, a YouTube video, or anything else that was committed to visual recording media, and thought to yourself "wow, this set looks so pristine," it is an ironclad fact that if you turned the camera 3° in either direction it would look like "guys really live like this and think it's okay"


cathoderaydude
@cathoderaydude

one of my favorite bits of Authenticity in media is in the aaron sorkin show (derogatory) Sports Night (complimentary) in which, every single time the cameras turn off for any length of time whatsoever, two women pop out of the woodwork and wordlessly begin attacking both the hosts with lint rollers. they're visibly angry. you know that they were staring at the program monitor for the whole preceding ten minute segment going "hair. hair. there's a hair. there's a fiber" and silently but deliberately rending garments they brought for this purpose


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in reply to @cathoderaydude's post:

A truism about photography that I learned and have forgotten the source of is: photography is an art of omission. You create a photograph not by what you include, but by what you exclude.

There's an old joke apocryphally attributed to any of a number of famous artists about how sculpting is simply a matter of taking a slab of marble and removing all the parts that don't look like the subject. The joke is worth a small chuckle, but I like it as a reminder of how the choices of what you include and what you exclude are intrinsically linked and equally important in all forms of art.

in reply to @cathoderaydude's post:

i got taught this learning animation too, if it’s not in the shot it doesn’t exist. even if that means a character is in an ungodly contortion because that’s the only way you can make the shot work.