i wanna put together a mahou crash course with the success criteria of "present a better genre introduction than a given series of Precure, in about as many episodes" and the additional goal of touring at least a few mahou subgenres. This is a difficult thing, because Precure is an excellent introduction and historically significant mahous can have large episode counts, but the desire persists.


so far the components are....

Pretear (13 episodes)
Madoka Magica (13 episodes)
Wish Upon the Pleiades (13 episodes)
(39/50-ish episode slots fulfilled)

I forget exactly why I chose Pretear and not Princess Tutu but I think it's because Pretear has more action focus and I wanted to make sure I got that in? and including both would feel redundant. Madoka is historically significant, represents a distinct subgenre, AND is short enough that it slots in well, so I think it's basically locked in. Pleiades has the "collect the items" element you see in Cardcaptor Sakura and some others, serves as rep for mahous that aren't directly combat-focused, and has more of the sci-fi elements that are... in Madoka, but not just in Madoka, so I was okay with the overlap there.

open to suggestions, alternatives, etc.


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in reply to @stepnix's post:

IMO I think Pretear is closer to standard Mahou-of-its-era than Princess Tutu in general conventions (heroine partakes in combat, takes place in contemporary Japan instead of a foreign setting, none of the metanarrative elements, the fairytale thing is more of a surface aesthetic than a deeply embedded part of the world's internal logic), so even though I think Pretear is generally weaker Princess Tutu in a lot of ways, it's a much better introduction to magical girls as a genre than its more famous little sister.

It's still got some atypical stuff, but that's mostly just the "absorbing magic man-boys to transform" thing. Shugo Chara iirc also had a "heroine has multiple transformations" gimmick going on, and I wonder what people's memories of the genre would look like if those both had more lasting cultural impact. Goodness knows I've seen people extrapolate things that only apply to Sailor Moon, or only apply to Madoka Magica, to the genre at large because those are the two Big Ones in our1 current cultural memory.

Tutu, in my opinion, is something you either show to someone who either

  • Already has an understanding of what conventional post-usagi pre-madoka magical girl anime is like, and wants to see stuff that's a bit unusual, OR
  • Someone who doesn't really care about magical girls but does care about fairytales, ballet, opera, and metafiction

  1. English-language-space anime fans, I mean. The continued success of the Precure franchise is probably a huge factor in terms of how Japanese nerds think of "generic magical girls," even before we get into all other series that would've been watched by tons of non-nerdy Japanese people as children that were not translated into English.

I... do not remember enjoying Shugo Chara in high school, and it's a longer show, but I would consider it to be Very 2000's Magical Girl, mostly standard with One Prominent Quirk ala Pretear. While Himeno absorbs her squad of magic man-boys to transform because of her position as the Pretear, characters in Shugo Chara transform via merging with their "guardian characters", which are like your typical chibi fairy mascot character, except instead of vaguely animaloid they're... a floating chibi version of their respective human.

It's also one of those odd handful of series that has boys involved in its version of magical-girl-ing without being a parody of some sort - the main girl's two love interest options respectively henshin into a prince and a catboy, if I remember correctly?

I kinda love how maximalist the character designs are. 00s anime really was like that, wow. I think I'll keep this on my radar, decisively shoujo-targeted magical girls are good to keep the genre-vision grounded