tuning an instrument should be a sensual experience and these tools turn it into a disembodied one by putting more emphasis on the representation than the represented (the embodied present?)

"i have done a couple bad things"
tuning an instrument should be a sensual experience and these tools turn it into a disembodied one by putting more emphasis on the representation than the represented (the embodied present?)
we are the kind of person who tunes their digital musical instrument with an oscilloscope, but only just loosely enough to track properly
is this in comparison to tuning forks, or, like, wiggly needles
honestly it's in comparison to anything that wiggles at all. digital tuners that wiggle are in an iffy space. in an ensemble context, instruments should be tuned to one another