here is kevin, a coder-bureaucrat at a large AAA game studio. he has worked in video games, mostly in indie, for well over a decade. he tried and failed to save the world with a visual novel.

posts from @verticalblank tagged #Brooklyn

also:

“To you, it was the most important day of your life…but for me, it was Tuesday.” 🎂

Another year, another steak and eggs. Life and death, death and rebirth. An ended cow, an unfinished chicken. The wheat, singular and narrow, grasping toward heaven. The potato, ensconced in earth, biding its time through hell. Scorched without, raw within. Blood. Yolk. Fire.

That tradition of eating steak and eggs every year is unexpectedly serving well as a yardstick for change. My annual reservation at Benchmark fell through because of “emergency renovations” (I hope they are okay) so this year I went to a posh diner in Old Brooklyn called Clark’s.

Some years, if you are tremendously lucky, you get to splurge on a magnificent, delicate, thoughtfully plated meal at a fancy white tablecloth restaurant, full of wealthy older people whose lifestyles are so alien to you they may as well be television characters. Some years it’s 3 AM at an all night greasy spoon, you’re falling over from your fifteenth twelve hour day that month, you’re ordering the one thing at the diner no one who eats there can afford and the cook is so taken aback that you get two perfectly cooked eggs on top of what is essentially shoe leather. Some years, hunkered down in an underfurnished roomshare with a plague raging outside, you’re poking at an overcooked puck in a styrofoam container covered in ruined scrambled eggs doused in ketchup, and some years you made that overcooked puck yourself. And some years there is no steak at all.



Saw the final performance of Bailey Williams and Sarah Blush’s un-Googleable dystopian open office horror comedy Events at The Brick Theater in Williamsburg tonight, and my one regret is not seeing it sooner. It is one of the most magnificent stage plays about contemporary white collar capitalism I have ever seen and it’s going to stick with me for a long time. Phenomenal script, acting, creepy cold office tube lighting, set design, practical effects, everything.

Early reviews and the blurb in the play's promotional materials were coy, and perhaps deliberately misleading, presumably for the sake of avoiding spoilers--it's not actually a Samuel Beckett-esque magical realism experimental comedy where people monologue existentially about whimsical situations involving working life under the pandemic. It's more accessible than that--and while it certainly is a pandemic-era play, with situations that feel familiar in the zeitgeist (like the characters making funny faces they know the person on the other side of an audio-only conference call can't see), it really has nothing to do with the pandemic at all.

(I'll try to be relatively judicious about spoilers, myself, but it's really impossible to talk about the most interesting parts of this play without spoiling anything. Besides, that was the last showing of a sold-out run, and barring a second run, any potential performance of this play that could be spoiled for you is unlikely to ever happen. So.)