victoria-scott

vicki scott

@victoria-scott

trans and gay and enjoying it

  • she/her

I write about cars for a living and I take photographs to stay alive. Expect to see a lot of photography here.

sometimes I post nsfw images of my body. I tag them as adult content, but this is not a purely professional account - this is where I am myself.

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my web site
www.vantimevictoria.com/
my twitter
twitter.com/mikurubaeahina
victoria-scott
@victoria-scott

okay I need advice

and since I know people look at my photos here, I will be asking y'all.

For Christmas, I am getting my partner a "floating metal print" - it's basically a print overlaid ontop of another, larger one to give it depth - of their truck, the 4Runner, and the local mountain range that they love immensely. It'll be a 10" x 20" front print backed with a 12" by 22" print with like a half-inch of separation for the "float" look. (My partner doesn't like frames, but loves interesting metal/canvas prints.)

However, I have taken... quite a few different versions of this shot now, and I am facing decision paralysis. I think I am mostly down to these main two choices. I would love any of y'all's thoughts on this.

(bonus for the taillight-shot - the way I am stacking the metal prints, shown in image #3: the inside shot will have glow, but the outside one will not, just for extra depth.)

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in reply to @victoria-scott's post:

mrfb
@mrfb

Me, personally, a stranger from the internet who follows the photography tag, I would go with the sunrise/set shot—there's a lot of great texture there that I think would print really well, and I think the sun-tinged brush is a nice pop of color that would liven the space it lives in.

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lea
@lea

i'd pick the first one, because of the color. the tail lights are really beautiful but the first one is more balanced in the sense it has more things to look at

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