victoria-scott

trans and gay and enjoying it

  • she/her

I write about cars for a living and I take photographs to stay alive. Expect to see a lot of photography here.

sometimes I post nsfw images of my body. I tag them as adult content, but this is not a purely professional account - this is where I am myself.



january 2, 2023

I went out the other day to shoot and told myself I'd be happy if I got one photo, and this was my one good shot. This one was a step forward for me in one specific way: I am happy I got the wires in the shot, and I framed everything as carefully as I could with them, rather than 1) not considering them, 2) hoping I could remove them, or 3) finding them a nuisance.

I'm realizing part of what makes my recent work better than my old "photos-of-stuff" methods is that I try to consider the entire frame fully, vs. just "the subject". In the desert, this is relatively easy, because I explicitly went places where only one or two structures would exist, and I could frame and plan to my heart's content; it's a little harder out here in the small towns of the mountainous Pacific Northwest, but I'm trying to make sure I keep the same mentality. Even down to the telephone lines.


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in reply to @victoria-scott's post:

cool! welcome to wire club!

for me, if the wires and similar infrastructure aren't the main subject, they are usually welcome Bonus Geometry that lets me do pleasing things with splitting the frame or compartmentalizing subjects.

i love the wires! even if i might be biased as an electrical person, they make this photo look so relatable. that is, it's hard not to feel like you're there when you look at this. it feels like a memory. i'm not sure exactly that it is, but there's just something so beautiful of a snapshot of life like this.